150 25 35718 https://archives.countylib.org/files/original/4f53057670ef097cc2068e0188d1cdb3.jpg b443d11d8fb7e544c7cb5f1bd62c84ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 007024 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Lee (Lichliter) Ritenour Subject The topic of the resource Ritenour, Anna Lee Lichliter (1928-2018) Description An account of the resource Portrait photograph of Anna Lee (Lichliter) Ritenour as a young woman. Born in Fort Valley, she was the daughter of William Frederick and Esta Ethelma (Barr) Lichliter. She married Charles Cecil Warren Ritenour in 1947. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "Aug 1945" on box of plates. Contributor An entity responsible for making contributions to the resource Identified by Jeanette Ritenour, who was a childhood friend of the subject. Relation A related resource Anna Lee (Lichliter) Ritenour appears in Morrison Studio Collection images 004821, 006947, and 007024. Lichliter Ritenour Shenandoah County Virginia Women https://archives.countylib.org/files/original/e9f3948a9a1741200215a03cb108233e.jpg e8a9d964526105e7fbed5d7862e4de65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 003007 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Lee (Myers) Wilson Subject The topic of the resource Wilson, Anna Lee (Myers) (1924-2009) Description An account of the resource Portrait photograph of Anna Lee (Myers) Wilson as a young woman. The 1930 and 1940 censuses found the family living in the Stonewall District and farming. Anna Lee was the second of three children born to John Abraham (1896-1969) and Mary Virginia (Shank) (1896-1979) Myers. Ann Lee married Vernon Eugene Wilson (1917-2013) in Florida in 1946. He was from San Antonio, Texas, and a 2nd Lieutenant in the Army Air Corps stationed at the Boca Raton Army Air Field when they met. Their marriage lasted 63 years, much of that spent in the Air Force. The couple retired in 1968 to Biloxi, Mississippi. They raised two daughters together: Jayne and Sue. When Anna Lee died, she was buried in San Antonio, Bexar, Texas. Her last residence was Biloxi, Mississippi. Date A point or period of time associated with an event in the lifecycle of the resource ca 1945 per the identifier. Contributor An entity responsible for making contributions to the resource Identified in 2005 by Frances Walker, a friend of the subject. Additional biographical information was compiled from public sources. Relation A related resource Anna Lee (Myers) Wilson appears in Morrison Studio Collection images 003007 and 003453. Myers Shenandoah County Virginia Wilson Women https://archives.countylib.org/files/original/059a0c5eb50e356ee147b184bddd071d.jpg 20a460f43ccc4f810c683fc516a51664 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 003453 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Lee (Myers) Wilson Subject The topic of the resource Wilson, Anna Lee Myers (1924-2009) Description An account of the resource Portrait photograph of Anna Lee (Myers) Wilson as a young woman. The 1930 and 1940 censuses found the family living in the Stonewall District and farming. Anna Lee was the second of three children born to John Abraham (1896-1969) and Mary Virginia (Shank) (1896-1979) Myers. Ann Lee married Vernon Eugene Wilson (1917-2013) in Florida in 1946. He was from San Antonio, Texas, and a 2nd Lieutenant in the Army Air Corps stationed at the Boca Raton Army Air Field when they met. Their marriage lasted 63 years, much of that spent in the Air Force. The couple retired in 1968 to Biloxi, Mississippi. They raised two daughters together: Jayne and Sue. When Anna Lee died, she was buried in San Antonio, Bexar, Texas. Her last residence was Biloxi, Mississippi. The name, "Myers", is written on the glass plate negative. Date A point or period of time associated with an event in the lifecycle of the resource The date, "October 16, 1946", is written on the plate. Contributor An entity responsible for making contributions to the resource Identified in 2003 by Jay Dysart, who knew the subject. Additional Biographical information was compiled from public records. Relation A related resource Anna Lee (Myers) Wilson appears in Morrison Studio Collection images 003007 and 003453. Myers Shenandoah County Virginia Wilson Women https://archives.countylib.org/files/original/26b06325b850074035a0c864c1ea7703.jpg ffc20d65397c6275ff139f8e1a95e80d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Lee Emswiler Subject The topic of the resource Emswiler, Anna Lee Triplett High School (Mt. Jackson Va) Description An account of the resource Photograph showing Anna Lee Emswiler. Taken from the 1957 Triplett High School Yearbook. It noted Anna was a "Lee Class Office," Beta Club Officer, FHA Officer, on the Paper and Annual Staffs, and a member of the school's SCA. Creator An entity primarily responsible for making the resource Triplett High School Source A related resource from which the described resource is derived Wayfarer 1957, Triplett High School Yearbook Collection, Truban Archives, Shenandoah County Library, Edinburg, Virginia. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Publisher An entity responsible for making the resource available Triplett High School Rights Information about rights held in and over the resource Creative Commons Attribution-Non Commercial (CC-BY-NC) Emswiler High School Mt. Jackson Schools Shenandoah County Virginia Women https://archives.countylib.org/files/original/032a2f0cd1e3644ea6bfddb4172f983f.jpg b85f3f57e82f32c2918629625dda12a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 027148 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Lee Hottle's Birth Certificate Subject The topic of the resource Hottle, Anna Lee Recording & registration - Virginia - Shenandoah County Description An account of the resource Photograph of the birth registration issued for Anna Lee Hottle who was born on June 9, 1934, in Shenandoah County. Parents were Russell Henry Hottle and Elizabeth Catherine Cook. Date A point or period of time associated with an event in the lifecycle of the resource Undated Certificates Hottle Shenandoah County Virginia https://archives.countylib.org/files/original/1e2d9acc21012f78666d350af38700fc.jpg a9248d79ff2784bcc8fffb09586b4df3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 009673 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Mae (Hollar) Bowman Dellinger Subject The topic of the resource Dellinger, Anna Mae (Hollar) Bowman (1927-2007) Description An account of the resource Portrait of Anna Mae (Hollar) Bowman Dellinger as a young woman with a flower in her hair. Anna Mae was born in Pittsburgh, Pennsylvania, but moved to Shenandoah County as a young child. Her parents were Aden Albert Hollar and Catherine Rebecca Fadeley. By 1940, she lived with her widowed mother, older brother, and grandmother (Julia A. Fadeley) on a farm west of Edinburg. She married Harold Bishop Bowman (1922-1982) in October 1946. His parents were Boyd Miley and Virginia Pearl (Grandstaff) Bowman. At that time, she was a 19-year old beautician and her husband was a laborer. They had two children together before divorcing in 1961. In 1977, Anna Mae married again. Dwight Elmo Dellinger (1919-2003) was born in Virginia to Charles Cecil and Nellie Verl (Will) Dellinger. He was a widow living in Edinburg when he and Anna Mae married. Both are buried in Edinburg. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "June 1945" on box of plates. Contributor An entity responsible for making contributions to the resource Identified by Maxine Burkholder. Relation A related resource Anna Mae (Hollar) Bowman Dellinger appears in Morrison Studio Collection numbers 009673 and 016024. Bowman Fadeley Grandstaff Hollar Shenandoah County Virginia Will Women https://archives.countylib.org/files/original/55ce774c72cba543e149caf1cdd311d1.jpg fc5ceb016dc94a967aa7fe6dd72024ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 012194 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Mae (Hupp) Richards Subject The topic of the resource Richards, Anna Mae (Hupp) (1920-2005) Description An account of the resource Portrait photograph of Anna Mae (Hupp) Richards as a young woman. Anna was born in Strasburg, the daughter of David William Hupp and his second wife, Margaret Anne (Hines) Hupp. Her father was a well-known Volunteer Fire Chief in Strasburg. Anna Mae grew up on North Massanutten Street and her father worked as an engineer for the railroad. By 1930, her mother had died. Anna Mae and her younger sister, Irene Elizabeth (1924-2000), lived with their father, paternal grandmother, Amanda, and her father’s cousin, 68-year old Mary E. Hupp. Ten years later, Anna worked as a clerk in a “ten-cent store” and lived with her family on West King Street, still in Strasburg. She married Glenn Ivor Richards (1914-2009) in 1941. He was a radio operator and served in the U.S. Navy. His parents were Ivor Glenn and Pheobe (Evans) Richards from Pennsylvania. Anna Mae and her husband had a daughter, Donna (Richards) Roberts. The couple spent decades together and lived in Houston, Texas, at the time of their deaths. Both are buried there. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "April 1940" on box of plates. Contributor An entity responsible for making contributions to the resource Identified in 2007 by Graham Conner who remembered her father, Dave Hupp, was the fire chief in Strasburg in the 1930's. Additional biographical information was compiled from public records. Hupp Richards Shenandoah County Virginia Women https://archives.countylib.org/files/original/1fa865e0118506ff16ef5c9c87daea3c.jpg 8d4cd891ef4ccad7e61b2857ce6ecff7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 001293 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Mae (Williams) Jackson Subject The topic of the resource Jackson, Anna Mae Williams (1927- ) African Americans - Virginia - Shenandoah County Description An account of the resource Portrait photograph of Anna Mae (Williams) Jackson as a young woman. Anna Mae grew up in Strasburg, the second oldest of at least seven siblings. Her parents were Rev. Donald Frederick (1897-1973) and Phyllis Cornelia (Banks) (1904-1949) Williams. Her father was a Baptist Minister in Strasburg. In 1930, the family lived on 4th Street and Anna Mae’s father worked at a lime plant. Ten years later, the family lived on C Street where her father worked at a stone quarry. Anna Mae Williams married Frederick Jackson (1925-1999) in 1948. His parents were William (1895-1987) and Edna Mae (Willis) (1904-1942) Jackson. Tragically, Frederick’s mother had been killed by a hit-and-run driver in the early hours of January 21st, 1942. By 1950, the census found Anna Mae and Frederick Jackson still living in Strasburg. Anna Mae looked after her 3-year old daughter, Constance M. Jackson, while her husband worked as a gas station attendant. Date A point or period of time associated with an event in the lifecycle of the resource ca 1945 per the identifier. Contributor An entity responsible for making contributions to the resource Identified in 2009 by Elizabeth Alsberry, the subject's sister-in-law. Additional biographical information was compiled from public sources. African Americans Jackson Shenandoah County Virginia Williams Women https://archives.countylib.org/files/original/c40de5aab927732014a7637edfbe719f.jpg 1d541e8dde3f6e059bc8d3a2f0d7f712 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 001632 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Mary and Warren Dellinger Subject The topic of the resource Dellinger, Warren Franklin (1920-2007) Tuttle, Anna Mary Dellinger (1922-1997) Description An account of the resource Photograph of two siblings, Anna Mary and Warren Dellinger, when they were young children. Anna Mary and Warren were the oldest of at least five children born to Russell Franklin (1896-1981) and Daisy Matilda (Hottel) (1898-1989) Dellinger. In the 1930 census, the family farmed on Ridge Hollow Road near Liberty Furnace Road in the Madison District of Shenandoah County. By 1940, Warren had grown and gone while Anna Mary was still there. She graduated from Edinburg High School that same year. Anna Mary married Harold Merwin Tuttle (1920-2011), in November 1946 (some records say 1947) in Philadelphia County, Pennsylvania. Harold had served in the U.S. Coast Guard during WWII. The 1950 census found the couple and their 2-year old son, James, living with Anna Mary’s brother, Warren Dellinger and his wife, Reba (Hepner) Dellinger (1928-2012), on Underwood Place in N.W. Washington, D.C. Harold was a plumber. At that time, Warren Dellinger worked as a machinist at a U.S. Naval facility in D.C. His wife, Reba, was a telephone operator for Bell Telephone there. They also had a 2-year old son, Stephen. At some point, both families moved back to Shenandoah County and both Anna Mary and her husband are buried in Woodstock while Warren and Reba are buried in Conicville. Date A point or period of time associated with an event in the lifecycle of the resource ca 1924 Contributor An entity responsible for making contributions to the resource Identified on an undated ID form by the subject's sister-in-law, Reba Dellinger. Biographical information was compiled from public records. Children Dellinger Shenandoah County Tuttle Virginia https://archives.countylib.org/files/original/c5d1c8c31e2f0fff57d1731686d8e546.jpg 36c101fb8c5d018d80abf15db45cb3cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Hoyle Garber Collection Subject The topic of the resource Garber, William Hoyle Description An account of the resource The William Hoyle Garber Collection consists of 503 digital images stored on a single thumb drive and also available online via the archives digital collections platform. The original materials are primarily 8x10 black and white prints with approximately 2 5x7 prints and 110 images are from negatives. They were taken and developed by William Garber. The items were scanned and stored in a thumb drive in jpg format. Photographs are numbered chronologically according to how they appeared in the Mt. Jackson Museum collections and contain an hg prefix. The subject matter encompasses structures, people, businesses, industries, disasters, etc. from the area between Harrisonburg and Woodstock. Identification is provided by an attached identification sheet or via the digital collections platform. The digital collection is divided into 21 series. Source A related resource from which the described resource is derived William Hoyle Garber Digital Collection Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-ca. 1960 Contributor An entity responsible for making contributions to the resource Mt. Jackson Museum Rights Information about rights held in and over the resource Creative Commons Attribution-Non Commercial (CC-BY-NC) Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 8x10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Relation A related resource Series XI: Identified Scenes Identifier An unambiguous reference to the resource within a given context hg0332 Title A name given to the resource Anna Miller Description An account of the resource Undated photograph taken by William Hoyle Garber showing Anna Miller (1927-1993) of New Market Virginia. She would marry Eugene W. Hassler Jr. Date A point or period of time associated with an event in the lifecycle of the resource Undated Creator An entity primarily responsible for making the resource William Hoyle Garber Source A related resource from which the described resource is derived Hoyle Garber Collection, Mt. Jackson Museum Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource Creative Commons Attribution-Non Commercial (CC-BY-NC) Subject The topic of the resource Miller, Anna (1927-1993) https://archives.countylib.org/files/original/22300c9823add638fe9de327594f07e6.jpg e25b13364cfd2652bb9e829b3b884bf6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 009773 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna R. (Cayton) Artz Subject The topic of the resource Artz, Anna Rebecca (Cayton) (1913-1999) Description An account of the resource Anna Rebecca (Cayton) Artz standing in the studio as a young woman. Anna was the daughter of Claude Samuel and Minnie Gertrude Cayton. Her husband was John Peter Artz (1909-2000). He was the son of James Mayberry and Lettie (Schaeffer) Artz. Together, they had a son, James, and a daughter, Sue (Artz) Grimes. When Anna and John P. Artz died, both were buried at Riverview Cemetery in Strasburg. Date A point or period of time associated with an event in the lifecycle of the resource Early 1930's Contributor An entity responsible for making contributions to the resource Identified by Jim Artz, son of the subject. Relation A related resource Anna R. (Cayton) Artz appears in Morrison Studio Collection numbers 003588 and 009773. Artz Cayton Shenandoah County Virginia Women https://archives.countylib.org/files/original/524f4890304fa0c6baf269e321510eaf.jpg bba9fd736c065ed1295889cfff355c79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 003588 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Rebecca (Cayton) Artz Subject The topic of the resource Artz, Anna Rebecca Cayton (1913-1999) Description An account of the resource Anna Rebecca (Cayton) Artz seated in the studio as a young woman. Anna was the daughter of Claude Samuel and Minnie Gertrude Cayton. Her husband was John Peter Artz (1909-2000). He was the son of James Mayberry and Lettie (Schaeffer) Artz. Together, they had a son, James, and a daughter, Sue (Artz) Grimes. When Anna and John P. Artz died, both were buried at Riverview Cemetery in Strasburg. Date A point or period of time associated with an event in the lifecycle of the resource ca 1935 Contributor An entity responsible for making contributions to the resource Identified in 2004 by the subject's son, Jim Artz. Relation A related resource Anna R. (Cayton) Artz appears in Morrison Studio Collection numbers 003588 and 009773. Artz Cayton Shenandoah County Virginia Women https://archives.countylib.org/files/original/06839a724c0fcb533acad83373cb987e.jpg 5ac2ad85dd4f9c520947d994b52aeb92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Film Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 028028 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Saum Subject The topic of the resource Saum, Anna Description An account of the resource Portrait photograph of Anna Saum as a teen-aged girl. Date A point or period of time associated with an event in the lifecycle of the resource Undated Contributor An entity responsible for making contributions to the resource No ID form. Name was written in the margin of the paper copy. Shenandoah County Virginia Women https://archives.countylib.org/files/original/63370b3a094a01d6c72c844d5b2fa20a.jpg 7e8c2251686664ddf193b733f0fa2d49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 013289 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anna Sue Boles Subject The topic of the resource Boles, Anna Sue Description An account of the resource Photograph of two separate images of Anna Sue Boles. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "Jan 1937" on box of plates. Contributor An entity responsible for making contributions to the resource Identified by Graham Conner. Boles Shenandoah County Virginia Women https://archives.countylib.org/files/original/582205f54230b701df77b24552b76d50.pdf 015e0482cfb92e80720f26cfe0503269 PDF Text Text Emily Schmitt 4/10/17 HIST 441 Interview Transcript Emily: Okay, so could you state your name and age? Annabell: Annabell Reedy, I was a Reiman. I’m 88 years old. E: Awesome. So how long did you work at birdhaven? A: It must’ve been at least 2 years, uhm I didn’t work at the factory now I have in my notes that I worked for Mrs. Clarke. My mother is the one that worked at the factory. I would walk to and from work with her and work at the house, while she worked in the factory. It was a long long walk. E: How long was it? A: Oh guessing now it had to have been about 3 miles, which back in those days that was nothing. E: So what did you do at the Clarkes? A: I cleaned the house, washed windows, moped the floors, I moved furniture, thing like that. E: So how old were you when you worked for her? A: Between 12 and 14. E: So what did your mom do at the factory? A: You know I’m really not sure, but I think she was planing or smoothing down the wood things or the items that they had made. E: So how did your mom and you get the job at Birdhaven and at the Clarkes? A: A lot of the neighbors that my mother knew, they were friends, worked there, and they needed more workers right away. I cant remember how old my mom was, but if I was between 12 and 14 I could calculate it suppose and tell you then but she would have had to have been in her--- you’ll have to work it out with math. E: So what was like your average day? �A: Oh well I think my mom would start around 7 and 7:30 and we walk to work through the fields and stuff which is in here and I don’t know if it was 5 o’clock when they got off and I would work 3-4 days a week at Mrs. Clarkes. E: So when you weren’t working at Mrs. Clarkes what would you do? A: Stay home and work. E: What would you do? What type of work? A: Oh well I’d always milk the cow, no one could milk the cow but my mother, she wouldn’t let daddy get home from work and milk the cow so I always milked the cow morning and evening. We had chores I had an older sister and a younger sister at the time. My older sister must’ve been 2 years older and my other sister was 15 months younger than me so we were kind of in-between. We always had housework and we did garden work, we did the laundry by hand. E: Can you tell me a little more about what’s in there? (In reference to her notepad) A: Want me to read it to you? E: Sure. A: This portion of “Moved Home” is and in-between section of my life period of reminiscing and this is titled “Momma and Me”. Many days weekly, were spent at the bird haven factory area, the house as well as the factory. My momma at one time had become a worker over in the factory and Mrs. Clarke engaged me to clean the house for her. This had become a weekly routine, as I would walk to and from home these days that I went there also. At this point I was 12, between 12 and 14, other days I would walk to meet momma through many fields and wooded areas, crossing fences of long forgotten and neglected old homestead. I recall one was called the Suzy Henceburger farmstead. We began to whistle the call of the wipperwell, until we could finally see each other (that’s how we knew we were getting closer and closer to each other) and finally could see each other that’s how we would meet each other on our return walk home. My momma was a slender, not tall, about 5”4. I’ve often reflected back to these times, timing when to begin the walk, wondering how she could make that long trek through all those fields and woods after a days work out at the factory. She seemed energized by something, I never understood as a young daughter. Now after all these past years I favor a few rejects from the old Birdhaven factory, a half wooden bowl which is to be hung on the kitchen wall it could hold fruit or whatever, also a magazine cradle of which I have removed dowels making it into a doll cradle it now holds an antique baby doll filling it just right. These are precious memories of which I treasure dearly oh to have those years, weeks, even days, to reflect upon. Little do we realize these precious memories at that time, only when we too have grown children then our momma was. As a very young girl child I can still see and recall those tired, weary housewives, coming out of that door at Birdhaven leaving a good days work. Yes �worn and weary but usually smiling content to be on their way home for their families, just like my momma. They’d chat then separate each going there way, two’s even three together, home to finish that day to do what each must do to prepare for the following day. Another days work at Birdhaven factory, a good, reliable pay for those in need. Yes this truly is God’s country, our beautiful Shenandoah Valley growing much more beautiful as the years rush by faster than our own Shenandoah River, quietly but steadily flowing. E: That’s great. A: That’s just a portion of it and I got other stuff. I hopefully I want to get it entered into the Shenandoah book and put it all together as “MVD Home” like moved home. E: That’s awesome. So do you remember what the community was like? Like how the people interacted with each other like did people get along? A: Oh yes! I can remember and a store back in Basye, which you have to go by to get to Birdhaven. Everybody knew everybody and they knew your business as well as we knew their business there wasn’t a secret, you couldn’t keep a secret in a small town like that. E: So what were the grounds of Birdhaven like? Do you know? A: The grounds? E: Like were there multiple buildings? How was the factory laid out? A: There were, I don’t want to call them motels but like cabins, especially up at Basye I think they were Bryce’s, before there was a Bryce’s with huge homes and everything and they had a grocery store and a post office all in one. I think that is still the same place the Bob Folkohouser and I think it may be a son or grandson that runs the store. I haven’t been back since we’ve moved back, we’ve only been here about two years. E: Would you want to go back? A: Oh yes. We will eventually. There has just been so much, I had broken my hip and I took a while recuperating from that back in Pennsylvania. Then I was kicking off my boots here up on the hill in a cabin just like this one and I slipped on a rug and you know where they show you on your x-rays, there is a thing on there its metal there is a round ball but there is a cap on it, when I fell I knocked the cap off. That was in February, the 1st of February. Painful. It was worse than anything I have ever ever had, that why I am here now at my daughters, she seldom leaves me alone but you have to be alone sometimes. I still drive a little bit not a lot but I leave every 3 or 4 days, you have to or else you go stir crazy. �E: Yeah. So do you know why you and your mom ended up leaving Birdhaven? Why did you stop working there? A: Well I was going to school then all the time and we moved from there, down in that area, my grandma and grandpa lived down farther away from Birdhaven. He died first he went to go get the mail down a long dirt road to the main mailbox route, and lighting struck him and he was killed. Not too long after that my grandma died they had put the house up for sale and that was Frank and Susana Barb that owned that house and people from Washington bought it and built a stone house close to it. I think we moved to Basye, closer because it was just through the field, in the backwoods I’ll call it and we moved there so that’s why we moved, it was a few years after that,it wasn’t right away. E: Do you think working at Birdhaven or at the Clarkes shaped your life in anyway or your moms life? A: Oh I’m sure. You know in those days everybody had to work. We weren’t affluent people we were poor people like everyone else who lived around us, so were all in the same boat basically. I enjoyed it we worked up at Bryce’s as teenagers my sister and I, making beds and doing the room’s stuff like that cleaning up in-between. Momma was still at Birdhaven at that time or before im not sure, me memory is not the best it will come and go and sometimes its gone. So we were well known there and more in the book will tell you the happenings of the things that happened here because I to scool at Triply High School and I left there at 12th grade of course. I didn’t happen to catch a picture of it because I was long gone because I was out working where they had better jobs, waitressing, I worked at the Southern Kitchen in New Market for a couple years, worked at the restaurant in New Market another restaurant, wherever you could make money. Young teenagers boys and girls were working there was no lying around then besides the housework that we did at home. E: So do you know why Birdhaven ended up closing down? A: You know we had moved away then from the Birdhaven area and I think when new people, I’ll say the sons and daughters I can remember one son cause I could see him as he stood in the doorway, that’s the only time I could remember him there at the house and he lived there with his momma, but I cant remember the father, maybe because he was always at the factory, I’m not sure. E: So what was the Clarkes relation to Birdahven? A: They owned it! E: Oh they owned it? So what were they like? �A: She was a precious person to work for very considerate, kind. I can see her when she was standing in the kitchen you know these things fly threw a person when I’m this age when you see a person and then they’d forgotten about it. The son was tall, but I can’t remember the father, I don’t know why. Yeah they owned Birdhaven and it is nothing absolutely nothing because when we first came back from Virginia from Pennsylvania we took the tour up there, we knew one of the men who was working up there he and his fiancé. They were trying to I think rebuild it into--- they had a hoop house. Do you know what that is? E: No. A: Well I didn’t either. A hoop house is well there are a lot of farmers, their not all farmers but they are growers, they would use this plastic, long like a building its arched like this (hands up in the air creating an O) and you can grow year long. This has become prominent down here, which I didn’t know about it either. We went through the one the women; Shanda was the women’s name, she had tended it from planting the seeds she had cucumbers growing on one side and they were like this (fingers measuring out about 12 inches), other things that were growing there were peppers, and I cant recall the other green stuff, but they had a regular garden there and this was in the cool months of the year. They would take these to markets in like Harrisonburg, I remember that they had a place that they took it up there and Birdhaven, the business I’ll say would sell it, they had fruit markets up there, and they would make sandwiches I think on the place, they did a fantastic business. But they had decided not to go that route I think it was the granddaughter of Mrs. Clarke that I met once, and I don’t know if I met the husband or not, the owner that owned it then they were renovating it, they had torn down a lot of it, the had town down the old buildings of course. They had stuff; they had storage backed up in the back. Have you ever been there? E: No A: Oh I was so amazed when we saw it, we knew the young couple real well, now we got to go there and see it. E: So what was the biggest change from when you worked there till now? A: The modernization of it. And oh the entrance way is absolutely beautiful. Oh it was nothing but a dirt road when we worked there. E: So you said that you walked 3 miles to work? So im assuming you lived 3 miles from Birdhaven. Where there any people other than the Clarkes that lived there? Or was 3 miles normal? A: Oh yeah. Well this was on the dirt road coming from Basye, you’ve not been back there so its kinda hard to explain. You’re coming from Basye on Mechanum Rd and they have it posted that they have it all. Its so changed, so beautiful, the entrance �way is just marvelous. You should really take your camera back there to get some pictures of the entrance way anyway. They gave us a tour of it and showed us the old buildings and stuff like that and of course the factory has long been gone I understand. E: So do you know what they made in the factory? Like woodworks but of what kind? A: Well like I said they made small items, I don’t know if they made anything big or not. She’s got so much moved like her magazine cradle/magazine rack; I know that was one of the things. When they made mistakes on it or had a slash in it then they would put it in the back and then anyone who worked there could get it for almost nothing I think, yeah you were allowed to buy it, they almost gave it away I believe. People were poor then and I mean poor, I mean I treasure my doll cradle that was a magazine cradle. E: Do you still talk to any of the people that you met at Birdhaven? Do you know any of them still? A: Oh they’re all dead. That was 60 years ago, at least. I know the mother of one of the woman that I had met here at an auction and she was a Henceburger and I knew she worked there, but its just a faint remembrance. So many of the people that I knew at my age, they’re gone. This women that I had met, she had a stroke, she died. E: Do you remember any stories? A: That they used to tell? E: Or that you remember? Like any funny stories that really stuck out to you that you remember? A: No. It could be later because I’ve been bringing this to my mind now, so I’m not sure. There’s a lot that 88 year old its called when you have it packed so far, there’s so much up there (motions towards head), that’s what the doctor told me because I wasn’t being able to remember things, he said its not that you’ve not been able to remember its just so full up here. I have a book I have written then I’m on my second one that I couldn’t remember, he said “it’ll come back to you but it comes in flashes, and when it comes in flashes write it down so you’ll remember it later on”. Yeah. E: So what did you do after you worked in the Bryce area? A: It was called Bryce’s resort, they had across the road do you know where the bowling alley is? E: No �A: Have you ever been back there? E: No A: You haven’t been back to Birdhaven? E: No, that’s our next stop. A: Okay you should’ve gone there first. Are you originally from here? E: No I am actually from Northern Virginia, we are trying to gather as much information as we can about Birdhaven. A: My younger sister, she lives in Staunton, I’ve been talking to her since we’ve begun talking and I’ve been writing this and she came up with the name of the place that we used to walk through field, it was an old dilapidated building there it was huge farm at one time, the Suzy Hencburger place. I didn’t put it in here did I (in reference to her notes) but there were a lot of flowers that always grew in old home places always like the Easter lilies and daffodils always there you know where people lived. The fences were all broke down some of it was wire some of it was wooden. We had a path through there; you know we cut through there to go to the grocery store too, to go up to Basye. E: That’s really cool. A: Yeah. What I should have done, everything has been so busy here the past 6 months, is to make a run back there that might have brought back more memories. I had a,what was that box, it was a box it had Birdhaven on it, its in storage I know, I have no idea in what storage area it would be. It was like a cardboard box this size (with hands measures out about a foot) and when you took the lid off—do you know what a jewelry box looks like? That little layer there, it was there and it had the logo of Birdhaven on the top of it. Now they had those back there so when you go back, I’m trying to think of where they would be, because we saw them. Ask them if they have any of the small boxes, they’re in storage they are out in a building that he showed us. E: So do you remember anything specific about the house you worked in, like the Clarkes house? A: I can see it going up the steps, it was a large home, pristine, who ever kept it up before I got there if she was ill or what and she needed help, but it was beautiful, old furniture, antique furniture like I said it was pristine, neat, no scatterations like the cane hanging there stuff like that. She was a very neat person. I can’t think of what her first name was, of course we never called her that, it doesn’t make much difference. She had to have been in her, age bracket them, I’ll say in her 50’s or 60’s. E: And you said she has a son, correct? �A: I don’t remember his age at all because he was a real tall fella. I can see him standing in that doorway or when you kinda come in he’d be standing there. I don’t know what kind of car he drove it’s been so long; it’s something I wouldn’t remember anyway. I wasn’t into cars then. E: So did you do anything else or did you just clean the house? A: I used to work in her garden. I was a garden freak, I love to work in the dirt, tended to her flowers, planted them and I still do I love to do that. I pulled the weeds from the onions that’s one of the things I can remember in the garden. E: So how close was the main house to the factories like was it close to each other? A: It was walking distance, oh yeah. There was a creek I think as your going up the wooden steps, on the right there was a little tiny creek going there, yeah, then there was the Birdhaven gravel, well it was dirt then. E: So did your mom enjoy working there you think? A: Oh yeah. She’s like me she always liked to work, to keep busy, she was always busy with her hands. E: Did they work on the weekends or was it just the weekdays? A: I think it was just the weekdays. E: Okay. So like a typical workweek now? A: Yeah. E: So when you worked at the house what was your schedule like? So you got to the house and did what? A: It wasn’t set roles, she was very lenient. Good to work for. I would just say what would you like me to do next or something like that. It was always like if there are dishes wash the dishes, make the beds, clean up, pick up, neat up, bounce the pillows on the furniture all that stuff, do the bathrooms. I cant remember if they had a bathroom in that house or not, I’m trying to think, I cannot remember, I’m sure they did but I cant remember. Because back then they did have bathrooms in homes. E: So did you do anything fun on the weekends when you were younger, or did you just work the entire time? A: We used to walk up to Basye, they had a bowling alley up there, underneath because there was a restaurant and a little store, no it wasn’t a store what was that place? Well there was a little place rinky dinky but I remember the bowling alley �was you came up around the curve and drove in it. We used to walk with outher kids from other areas there were the Walker twins I know we would get like 4 or 5 or 6 of us together and walk in the evenings, that way we would have company walking back at dark. E: So besides the Walker twins who else would you go with? Just like friends? Or people that just lived near by? A: Oh yeah everybody walked mostly, especially teenagers. I know there was a young boy who lived down in a farmhouse; I remember because he used to ride the school bus, they called him Jessie James Barb, I remember him. Oh god that’s been so long ago, oh my. There was a lot of Barb’s who lived there in the area, it was Barb, Barb, Barb, Barb. We stemmed from Barb’s my mother did she was a Barb. My dad of course was a Reiman they lived over in Forestville; they had a big farm over in Forestville. E: And you lived on a farm? A: Yeah I lived there; I would go over in the summer time when I was big enough to thin corn. When the corn came to be thinned that’s where Annabelle went. You couldn’t even see the end of those fields and there was another girl about my age that lived a couple houses down, it was like 3 or 4 houses in the area next to grandpap and grandma’s farm. At that time grandpap would hire people, kids you know to thin corn. You don’t know what thinning corn is do ya? E: No can you explain it to me? A: There were fields of corn, not like in your garden; I mean literally fields of corn. When they planted it they planted it row by row by row of course and when the machine would drop it, it would drop to many kernels in it and we would go by each row and pull the suckers they’re called the suckers. Here’s your corn (motions with hand from table to as high as her hand can reach) here’s your sucker (motions hand only few inches off the table) you pull those up and threw them away so that the ear of corn could get more strength from the other two, and anything over 3 you didn’t leave it there you pulled them up, and at the end of that row you could have lemonade if you wanted to or whatever. You never thought you would get to the end of that row, but we always had fun doing that there was always 4 or 5 of us doing that, working in the fields, you know friends, kids my age. So it was something nice to do. I stayed over there during the summers sometimes. E: How long would that entire process take to do all the fields? A: Oh I can’t remember that honey that would take weeks. E: Weeks? �A: Yeah it would depend on how many people you had pulling the corn through the fields. E: How many hours a day would you do that for? A: We would work till noon. I can remember one time it was so awful hot, even though you would have the corn to shield you, and when we went in because it was across the road from granpap’s farm and I went on an laid on the swing on the porch because I got sick and I drank spearmint tea, and I drank to much of it and got sicker, and I cannot stand to smell it to this day. I do not drink tea at all, none, because of that episode. So it’s these things that come into your mind and what you did. I was probably oh I don’t remember, but I was big enough to thin corn. E: Did you do anything else; you said you milked the cow? A: Grandpap always milked their cow, I milked the cow at our house we lived at grandpa’s and grandma’s place, the other this was momma’s family. Now the thinning of the corn was my daddy’s family. E: Did you do anything else other than thin corn? A: We would work in the garden, pull weeds, picking up potatoes when they were plowed you know harvested. We always worked, we worked everyday, everyday! Sunday’s grandpa and grandma went to church and we went to Sunday school, I can recall that of course, all the time. So it was weekdays weekdays weekdays. Each summer was busy doing things and I know grandpap Barb or I mean Reiman used to plant peanuts on his farm where we planted corn and that was always a fascination to me. You know when you pull a peanut up? You don’t know what that is. E: No, explain it to me I’m very curious. A: Peanuts grows--- when you plant it you hull it, you know what a peanut is in a shell? E: Yeah. A: You take that out its called green peanut. You plant the beans inside that peanut. Plant it in a row; do you know anything about a garden at all? E: Mhm. A: You know how you would plant onions, a set, it would be onion set, onion set onion set, that’s how you would plant peanuts it would be peanut, peanut, peanut, peanut. When they grew it would be growing like spinach or kale, it was real like this (motions with hands) underneath the soil, granddad always knew when it was ripe that’s what we called it, or “ready to pull”, and you would pull them up and the �soil was nice, and then you’d shake off the dirt, and you would lay it on a place like brown bags, they didn’t have newspapers then, and for them to dry, then you would hull them, I mean take the green stuff off like the leaves and stuff. Have you seen the peanuts in the store? That has the peanuts in the hull? E: Yeah. A: Okay. That hull is a cardboard around it, it’s kind of a cardboard, yeah well you have to roast those, you have to put those in the oven and roast them. They’re delicious that way. E: You did that in the summers? A: No the fall, they were growing during the summer. E: Then you went to school? Did you go all the way through high school? A: Mhm. E: Then what did you do when you graduated high school? A: I went to grade school 1-6th, down below Birdhaven down further, do you know where Gerome is? E: I think I’ve heard of it. A: Okay. It’s a little town you close your eyes you missed it. We would ride the bus and up till 6th grade you walked to school. It was called Lindamoot school, it was 16th grade, in one school. Sits on a hill, it’s a house now I think they renovated it. After you went through that school you rode the bus to Mt. Jackson. I went to Triply High School. E: Then what did you do afterwards? A: Well to go to high school I had an aunt and uncle and they had 2 children that lived in Mt. Jackson so I could go to high school it wouldn’t cost me anything I stayed with them and worked at their house. I did housework, I ironed a lot I was perfectionist at ironing. Give me a white shirt, I love to iron. I would do their bathrooms of course so I could earn my way to school, and that’s how I got to high school. E: That’s awesome. Then after high school what did you do? Did you still live in the area? Did you move? A: I moved from town to town I think because I was dating then, and that’s when I met my ex-husband, that’s a story I don’t tell. So anyway it was a good life. �E: You said you moved back here from Pennsylvania, what made you move to Pennsylvania. A: My husband drove a tractor-trailer; they had a station in Verona that’s just before Staunton, of course we lived up there for awhile because it was close to there work, wherever they got located you had to move too. We lived down here until nineteen ninety--- I can’t remember it now, but they moved from Verona which they call it Staunton down to New Market. Do you know where the Pidthen home is in New Market? They called it the Pidthen home, it is now a—down on the left it is now a big huge place up on a hill like I think it might be a care place for older people I believe. I haven’t gotten into much of the town to know where exactly things are because I’ve been busy. When the relay station came to New Market then we moved back down. We lived in New Market we lived there we lived in Strathmore for 7 years before we were transferred to Pennsylvania. Now another station a relay station for the trucking company, its called Mason and Dickson, went up to the outskirts of Pennsylvania—Harrisburg, we lived at Strathmore then, do you know what that is? Strathmore farm is? The B and B breakfast. Do you know where Cover Bridge is? E: Yes Yes. A: Around that turn after you come out of that bridge was, what we always called it the Strathmore house. They have now made it into a B and B, but I believe they’re closed. We lived there for 7 years, while the men mostly stayed up in Verona in hotels. That’s how we got to Pennsylvania. E: Well do you have anything else you would like to say? A: I can’t think of a thing until you get down the driveway and I’ll think I should have told her that! Well leave me your phone number and your full name and I’ll call you if I think of anything else. E: Yes of course just let us know. �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcription Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bird Haven Oral History Collection Subject The topic of the resource Bird Haven (Va) Shenandoah Community Workers Description An account of the resource Sometime in the early 1920s Philadelphia banker and philanthropist William Bernard Clark founded the Shenandoah Community Workers organization near what is now Basye Virginia. This group was designed to provide locals, many of which were economically disadvantaged, with good paying jobs based on their wood working traditions. Clark built a factory on property his grandmother had purchased as a personal retreat and named it Bird Haven Virginia. Initially the community workers focused on wooden toys and puzzles. Many of these featured birds, Hollywood Stars, or animals. Later the company began to produce small wooden furniture, bowls, and kitchen utensils. Bird Haven closed sometime in the early 1960s. Following this, most of the records were lost and much of the site's history was forgotten. This oral history project, conducted as part of a partnership between the Shenandoah County Library, James Madison University, and Bird Haven Farm, is designed to recover some of lost parts of the site's story. It focuses on interviews of 14 members of the Bird Haven community, including several employees and individuals who lived nearby. All interviews and transcriptions were conducted by JMU history students and are available for viewing in person at the Shenandoah County Library's Truban Archives. Creator An entity primarily responsible for making the resource Shenandoah County Library James Madison University Bird Haven Farm Rights Information about rights held in and over the resource Creative Commons Attribution-Non Commercial (CC-BY-NC) Language A language of the resource English Type The nature or genre of the resource Oral History Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Emily Schmitt Interviewee The person(s) being interviewed Annabel Reedy Location The location of the interview Edinburg Virginia Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annabel Reedy Oral History Subject The topic of the resource Reedy, Annabel Bayse (Va) Bird Haven (Va) Description An account of the resource Oral history featuring Annabel Reedy of Edinburg Virginia recorded by Emily Schmitt of James Madison University. The interview was conducted as part of a project designed to better understand the history of Bird Haven Virginia, the Shenandoah Community Workers, and the surrounding communities. The entry includes a video interview and downloadable transcript (under files). Creator An entity primarily responsible for making the resource Emily Schmitt Source A related resource from which the described resource is derived Shenandoah Voices Oral History Collection <iframe src="https://www.youtube.com/embed/bv-CVuize8g" frameborder="0" width="560" height="315"></iframe> Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2017 Rights Information about rights held in and over the resource Creative Commons Attribution-Non Commercial (CC-BY-NC) Format The file format, physical medium, or dimensions of the resource MOV File Language A language of the resource English Type The nature or genre of the resource Video Identifier An unambiguous reference to the resource within a given context 2017-006 Bayse Bird Haven Oral History Shenandoah County Virginia https://archives.countylib.org/files/original/ee8d82bd7ff4e800f781c4a24d9c7d9d.jpg 8df385f6fa723b917f147b616efe9155 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 008003 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Annabelle Lee Polk Subject The topic of the resource Polk, Annabelle Lee (1926-1979) Description An account of the resource Photograph of Annabel Lee Polk as a little girl standing beside a toy clown. Annabelle lived in Edinburg and was the daughter of Lester Earl (1899-1994) and Margie Jane (Fadeley) (1904-1990) Polk. In 1945, she married Walter David Clem (1923-1995), a 22-year old Navy man born in Fort Valley to Tobias Samuel and Maggie Catherine (Walters) Clem. The marriage did not work out well and by the 1950 census, Annabelle was back at home with her parents and working as a bookkeeper for a fruit & produce company. The couple divorced about a year later. Walter was working as a street car conductor in Washington D.C., while Annabelle was still in Edinburg. Annabelle remained in Shenandoah County for the rest of her life. She did not have children. She was working as a mortgage loan clerk at a bank when she died suddenly and unexpectedly of an aneurism. Her mother, Margie Polk, was the informant on the death certificate. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "13 Nov 1928" on box of plates. Contributor An entity responsible for making contributions to the resource Identified in 2010 by Diane L. Frye who was the niece of the subject and has the same photograph at home. Additional biographical information was compiled from public records. Relation A related resource Annabelle Lee Polk appears in Morrison photos 003113, 002938, and 008003. Children Polk Shenandoah County Virginia https://archives.countylib.org/files/original/ed9e643cb89e98233b5580198b927c46.jpg 77b4a7e543e7a4b10530c1cb390c8a17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 002938 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Annabelle Lee Polk Subject The topic of the resource Polk, Annabelle Lee (1926-1979) Description An account of the resource Portrait photograph of Annabelle Lee Polk as a young woman. Annabelle lived in Edinburg and was the daughter of Lester Earl (1899-1994) and Margie Jane (Fadeley) (1904-1990) Polk. In 1945, she married Walter David Clem (1923-1995), a 22-year old Navy man born in Fort Valley to Tobias Samuel and Maggie Catherine (Walters) Clem. The marriage did not work out and by the 1950 census, Annabelle was back at home with her parents and working as a bookkeeper for a fruit & produce company. The couple divorced about a year later. Walter was working as a street car conductor in Washington D.C., while Annabelle was still in Edinburg. Annabelle remained in Shenandoah County for the rest of her life. She did not have children. She worked at both the Peoples Bank in Mt. Jackson and First Virginia Bank. In fact, she was working as a mortgage loan clerk when she died suddenly and unexpectedly of an aneurism. Her mother, Margie Polk, was the informant on the death certificate. Date A point or period of time associated with an event in the lifecycle of the resource Undated Contributor An entity responsible for making contributions to the resource Identified in 2002 by J. Hockman. Additional biographical information was compiled from public records. Relation A related resource Annabelle Lee Polk is pictured in Morrison Studio Collection numbers 002938, 003113, and 008003. Polk Shenandoah County Virginia Women https://archives.countylib.org/files/original/e6ad238efec4f3e8e689d971868d2741.jpg 8277e22396d4f76e9b950165084df3ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 003113 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Annabelle Lee Polk Subject The topic of the resource Polk, Annabelle Lee (1926-1979) Description An account of the resource Portrait photograph taken of Annabelle Lee Polk as a young woman. Annabelle lived in Edinburg and was the daughter of Lester Earl (1899-1994) and Margie Jane (Fadeley) (1904-1990) Polk. In 1945, she married Walter David Clem (1923-1995), a 22-year old Navy man born in Fort Valley to Tobias Samuel and Maggie Catherine (Walters) Clem. The marriage did not work out well and by the 1950 census, Annabelle was back at home with her parents and working as a bookkeeper for a fruit & produce company. The couple divorced about a year later. Walter was working as a street car conductor in Washington D.C., while Annabelle was still in Edinburg. Annabelle remained in Shenandoah County for the rest of her life. She did not have children. She was working as a mortgage loan clerk at a bank when she died suddenly and unexpectedly of an aneurism. Her mother, Margie Polk, was the informant on the death certificate. Date A point or period of time associated with an event in the lifecycle of the resource ca 1940s or early 1950s per the identifier. Contributor An entity responsible for making contributions to the resource Identified in 2002 by Jean Allen Davis, who went to school with the subject. Additional biographical information was compiled from public records. Relation A related resource Annabelle Lee Polk appears in Morrison Photos 003113, 002938, and 008003. Polk Shenandoah County Virginia Women Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bondage Biographies: Enslaved People of Shenandoah County Description An account of the resource In 2018, the Truban Archives began compiling information to create a searchable database of enslaved people in Shenandoah County during the years 1772 to 1865. Under the direction of the archivist, several volunteers pored over various resources to compile spreadsheets of information. The data compiled included the following information (if known): names, names of enslavers, locations related to the person, birthdates, relationships, what happened to them (e.g., emancipation, willed, ran away), the records’ citations, and other notable information. The resources used to discover this information are varied, and all can be found at the Truban Archives. Volunteers examined newspaper clippings and several books, including abstracts of wills, research notebooks, births indexes, and a publication on the history of Edinburg, Virginia. Once the data of several hundred people were assembled, the spreadsheet was uploaded to the digital archives for public consumption. More people will be uploaded as the research progresses. Though much information has been found and made available to the public, unfortunately, Bondage Biographies: Enslaved People of Shenandoah County Collection will never truly be completed. This is due to lost records, including missing newspaper copies and unrecorded information. Because of this, the collection is an ongoing process, with more entries being made as new information is discovered. Creator An entity primarily responsible for making the resource Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1772-1865 Person An individual. Additional Information Enslaved by Edward Spencer. Birthplace Unknown Death Date Unknown Birth Date Unknown Bibliography Nancy Stewart, "African Americans in Shenandoah County, Virginia Notebooks," vol. 2, book A, (2010), 34. Nancy Stewart, "African Americans in Shenandoah County, Virginia Notebooks," vol. 3, book A, (2010), 101. Occupation Enslaved Person Biographical Text Lived in Van Buren Furnace. Annanias was the son of Edward Spencer, Sr., a free man. His father had ownership of his wife, Sally (or Sarah) Spencer, and sons Edward and Annanias. Edward Sr. purchased his wife and children sometime between 1836 and 1840. In 1846, Edward Sr. filed a deed of emancipation for his wife and sons. The court acknowledged the deed and ordered it to be certified. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context EnslavedPerson:18380 Title A name given to the resource Annanias Spencer Subject The topic of the resource Enslaved Person-Virginia-Shenandoah County Date A point or period of time associated with an event in the lifecycle of the resource July 13, 1846 Relation A related resource Sally Spencer, EnslavedPerson:18381 Edward Spencer, Jr., EnslavedPerson:18382 Contributor An entity responsible for making contributions to the resource Zach Hottel Enslaved Shenandoah County Van Buren Furnace Virginia https://archives.countylib.org/files/original/ffe369dd42e156a39a4be2b943e778a4.jpg 54cb0978f7bb139bbb619cb564dda80c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 004342 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anne (Riley) Lambiotte Subject The topic of the resource Lambiotte, Susan Ann Riley (1938-2003) Teachers - Virginia - Shenandoah County Description An account of the resource Portrait photograph of Anne (Riley) Lambiotte as a young woman. She was raised in Woodstock, the daughter of Wilbur Odell and Ann Trible (Hundley) Riley. In the 1940 census, the family lived on Commerce Street in Woodstock and her father was an automobile dealer. She married Arthur Grinnell “Butch” Lambiotte, the son of Arthur Joseph and Dorothy (Teese) Lambiotte, of Warwick, Virginia, in June 1958. One of the bridesmaids was Sally Ann French of Woodstock. At the time of her marriage, Susan had graduated from Fairfax Hall in Waynesboro, Virginia, and had attended Lynchburg College, the University of North Carolina, and was attending Westhampton College of the University of Richmond, where she graduated in 1959. Susan was a teacher and educator in the Shenandoah County school system, as well as schools in Newport News, and York County, Virginia. In 1993, she established the Kumon Math and Reading Center, in Poquoson, Virginia. When she died, she left behind four children: Kenny, Walker, Ann and Clay. Date A point or period of time associated with an event in the lifecycle of the resource Undated Contributor An entity responsible for making contributions to the resource Subject identified in 2002 by her friend, Virginia Rutz. Additional biographical information was compiled from public records. Lambiotte Riley Shenandoah County Virginia Women https://archives.countylib.org/files/original/36c0856faa4b92c01a4d6c045a4dd1ed.jpg 5b5bb9784b64e4fa89b61d46cd371d1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 010360 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Anne Preston Crawford Subject The topic of the resource Crawford, Anne Preston Students - Virginia - Strasburg Description An account of the resource Portrait photograph of Anne Preston Crawford as a young woman. This photograph appears in the 1925 Strasburg High School Yearbook. She was a senior and the yearbook staff wrote this about her: "... is the kind of girl we need more of in this world. She is good-natured, modest, domestic and yet in for all fun. She is one of the most popular students in the class. To say she is a member of the "Big Four" speaks for itself. She expects to take a course in kindergarten. We wonder if she will teach in Handley or Alexandria -- but where ever it may be, success is certain." Anne had a brother, Jack Crawford. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "Feb 1925" on box of plates. Contributor An entity responsible for making contributions to the resource Identified by Gloria Stickley in 2006, who recognized her from her 1925 SHS yearbook photograph. Relation A related resource Anne Preston Crawford appears in Morrison Studio Collection images 004944, 004962, 004961, 010360, and 027555. Hugh Morrison Studio Collection images 010360, 010361, 010362, 010363, 010364, 010365, 010366, 010367, 010368, 010369, 010370, and 010371 are individual portrait photographs from the 1925 Strasburg (VA) Yearbook “Shenandoah.” Hugh Morrison Studio Collection images 002227, 004799, 004838, 004843, 004944, 004959, 004960, 004961, 004962, and 004964 are group photographs from the 1925 Strasburg (VA) Yearbook “Shenandoah.” Hugh Morrison Studio Collection images 001181 and 001197 are photographs of the Strasburg School produced for the 1925 Strasburg (VA) Yearbook “Shenandoah.” Crawford Shenandoah County Strasburg High School Students Virginia Women https://archives.countylib.org/files/original/ef5453ea35e7c60fbb92fd96be3e0165.jpg 1ec137f113e3438ddca853ce1664555a Person An individual. Biographical Text Annette came to Shenandoah County in 1972 when her husband became the pastor for Orkney Springs Lutheran Parish, now Prince of Peace Lutheran Church. Living in a rural area was new to her, but she learned to can, make quilts, and enrolled in adult courses in Triplett Tech where she was trained as a practical nurse. Bibliography "Country Kitchen," Shenandoah Valley Herald Collection, 1975, Truban Archives, Shenandoah County Library, Edinburg, Virginia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annette Pattison Subject The topic of the resource Orkney Springs (Va.) Pattison, Annette Women-Virginia-Orkney Springs Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1975 Rights Information about rights held in and over the resource Creative Commons Attribution-Non Commercial (CC-BY-NC) Lutheran Orkney Springs Shenandoah County Triplett Tech Women https://archives.countylib.org/files/original/62ccab5e5dbf1f31c4fdc7723fbdb100.jpg d63cc0617c59a9a97657b868ba51069f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 011659 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Annettha (Glaize) Manuel and Rebecca (Glaize) Porter Subject The topic of the resource Manuel, Annettha Elizabeth Glaize (1919-2019) Porter, Mary Rebecca Glaize (1921-2011) Description An account of the resource Portrait photograph of two sisters, Annettha and Rebecca Glaize, before they married. The two sisters were the youngest born to Walter Tanquary and Ann Susan (Henshaw) Glaize. They were from Strasburg. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "May 1941" on box of plates. Contributor An entity responsible for making contributions to the resource Identified in 2006 by Sarah Bagnell. Relation A related resource Rebecca (Glaize) Porter appears in Morrison Studio Collection numbers 011658, 011659, and 012204. Annettha Elizabeth (Glaize) Manuel appears in Morrison Studio Collection numbers 011659 and 011660. Glaize Manuel Porter Shenandoah County Virginia Women https://archives.countylib.org/files/original/347bff91140d7b6aedf812153871472e.jpg 9709490bf2abaa02288ecf8775654200 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 011660 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Annettha Elizabeth (Glaize) Manuel Subject The topic of the resource Manuel, Annettha Elizabeth Glaize (1919-2019) Description An account of the resource Portrait photograph of Annettha Elizabeth (Glaize) Manuel as a young woman. Annettha was from Strasburg, the daughter of Walter Tanquary and Susan (Henshaw) Glaize. Her husband was Herbert Bennett Manuel, who worked at the Southern States Co-op for many years. Date A point or period of time associated with an event in the lifecycle of the resource Labelled "May 1941" on box of plates. Contributor An entity responsible for making contributions to the resource No ID Form, however, ID'd in Margin of paper copy. Relation A related resource Annettha E. (Glaize) Manuel appears in Morrison Studio Collection numbers 011659 and 011660. Glaize Manuel Shenandoah County Virginia Women https://archives.countylib.org/files/original/d064a59ec33238e4cef093ae967d0ea7.jpg aad747b3f5581d7a00dd93faf1ccb56e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrison Studio Collection Subject The topic of the resource Morrison, Hugh Jr. (1871-1950) Morrison, Louis Morrison, James Description An account of the resource In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. This collection contains those digitized versions of these photographs. Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. Creator An entity primarily responsible for making the resource Morrison Studios Source A related resource from which the described resource is derived Hugh Morrison Collection, Shenandoah County Historical Society Inc. Publisher An entity responsible for making the resource available Shenandoah County Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1980 Contributor An entity responsible for making contributions to the resource A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. Rights Information about rights held in and over the resource Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC) Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Glass Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 005982 Creator An entity primarily responsible for making the resource Morrison Studio Source A related resource from which the described resource is derived Morrison Studio Collection - Shenandoah County Historical Society Publisher An entity responsible for making the resource available Shenandoah County Library Rights Information about rights held in and over the resource IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED Title A name given to the resource Annie (Magruder) Grabill and Son, Jack Grabill Subject The topic of the resource Grabill, Annie Wilson Magruder (1880-1946) Grabill, John Henry "Jack" II (1909-1979) Description An account of the resource Photograph of Annie Wilson (Magruder) holding her young son, John Henry "Jack" Grabill, II. Annie was the daughter of Philip Wilson (1838-1907) and Annie Eliza (Ott) (1837-1905) Magruder. She married David Walton Grabill (1877-1940) and had at least three children with him. Her first child was Jack. He married Nellie Funk (Supinger) (1908-1984) Grabill. Annie and Jack are buried in Massanutten Cemetery, Woodstock, as are many other family members. Date A point or period of time associated with an event in the lifecycle of the resource July 12, 1909 Contributor An entity responsible for making contributions to the resource Identified in 2006 by Diane Gardner Haun, who had the same photograph at home. Biographical information was compiled from public records. Relation A related resource Jack Grabill appears in Morrison Studio Collection numbers 000857 and 005982. Children Family Grabill Magruder Shenandoah County Virginia Women