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                  <text>Morrison, Hugh Jr. (1871-1950)</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>Hugh Morrison Collection, Shenandoah County Historical Society Inc. </text>
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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                <text>A photograph of a dog standing with puppies feeding from her. A man is holding the mother dog's head up. &#13;
&#13;
Signal Knob, near Strasburg, is visible in the background.</text>
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                  <text>Digitized photographs from the collection of George William Smith of Woodstock Virginia. &#13;
&#13;
George William Smith (1900-2000) was an African American citizen of the town of Woodstock who was noted for his collections, including many items rescued from the trash. He lived on Water Street and attended Mt. Zion Methodist Church in Woodstock. Smith is buried at the Riverview Cemetery in Woodstock. &#13;
&#13;
Two hundred and seventy nine of the rescued photographs that are part of this collection were taken and/or processed by Woodstock photographer Hugh Morrison. &#13;
&#13;
An amateur photographer, George Smith took hundreds of photographs of the town during the 1980s and early 1990s for his amusement. These images are available at the Shenandoah County Library but have not yet been digitized.  </text>
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                  <text>George William Smith Collection, Truban Archives, Shenandoah County Library, Edinburg, Virginia. &#13;
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                <text>Photograph showing a dog with pups at an unidentified location. </text>
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                <text>Scanned by Shenandoah County Historical Society, DS 0194</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Series II: Morrison Photographs, George William Smith Collection, Truban Archives, Shenandoah County Library, Edinburg, Virginia. </text>
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            <description>Information about rights held in and over the resource</description>
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&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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                <text>IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED</text>
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                <text>Dog with Spots</text>
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                <text>Photograph of a dog standing outside. There is a man holding its leash and standing behind it. There are two different dogs visible in the background of the photograph.</text>
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                <text>Dogs - Virginia - Shenandoah County</text>
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        <name>Dogs</name>
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        <name>Shenandoah County</name>
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                  <text>Digitized photographs from the collection of George William Smith of Woodstock Virginia. &#13;
&#13;
George William Smith (1900-2000) was an African American citizen of the town of Woodstock who was noted for his collections, including many items rescued from the trash. He lived on Water Street and attended Mt. Zion Methodist Church in Woodstock. Smith is buried at the Riverview Cemetery in Woodstock. &#13;
&#13;
Two hundred and seventy nine of the rescued photographs that are part of this collection were taken and/or processed by Woodstock photographer Hugh Morrison. &#13;
&#13;
An amateur photographer, George Smith took hundreds of photographs of the town during the 1980s and early 1990s for his amusement. These images are available at the Shenandoah County Library but have not yet been digitized.  </text>
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                  <text>George William Smith Collection, Truban Archives, Shenandoah County Library, Edinburg, Virginia. &#13;
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                  <text>Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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      <name>Still Image</name>
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            <name>Identifier</name>
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                <text>18-0507-0250</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dogs</text>
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                <text>Photograph showing two dogs beside a fence at an unidentified location. </text>
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            <description>The topic of the resource</description>
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                <text>Dogs-United States</text>
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            <name>Relation</name>
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                <text>18-0507-0256, 18-0507-0276</text>
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                <text>Undated</text>
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                <text>Scanned by Shenandoah County Historical Society, DS 0250</text>
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                <text>Unknown</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="101056">
                <text>Series II: Morrison Photographs, George William Smith Collection, Truban Archives, Shenandoah County Library, Edinburg, Virginia. </text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Shenandoah County Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101058">
                <text>Creative Commons Attribution-Non Commercial (CC-BY-NC)</text>
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        <name>Animals</name>
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        <name>Dogs</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Morrison Studio Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Morrison, Hugh Jr. (1871-1950)</text>
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                  <text>Morrison, Louis</text>
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                  <text>Morrison, James</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>This collection does contain some images of a sexual and/or graphic nature that some viewers may find inappropriate. </text>
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              <name>Creator</name>
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                  <text>Morrison Studios</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Hugh Morrison Collection, Shenandoah County Historical Society Inc. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Shenandoah County Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1900-1980</text>
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              <name>Contributor</name>
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="440914">
                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Glass Negative</text>
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        <name>Dublin Core</name>
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            <name>Identifier</name>
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                <text>004035</text>
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                <text>Morrison Studio</text>
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            <name>Publisher</name>
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                <text>Shenandoah County Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="210280">
                <text>IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="453343">
                <text>Dogs in Trick Pose</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photo of a photograph of an unidentified man on the left signaling two dogs sitting on a porch step. Their front paws are raised and they are looking intently at the man.</text>
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            <name>Date</name>
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        <name>Dogs</name>
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      <tag tagId="443">
        <name>Men</name>
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        <name>Shenandoah County</name>
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        <name>Virginia</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Bondage Biographies: Enslaved People of Shenandoah County</text>
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              <description>An account of the resource</description>
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                  <text>In 2018, the Truban Archives began compiling information to create a searchable database of enslaved people in Shenandoah County during the years 1772 to 1865. Under the direction of the archivist, several volunteers pored over various resources to compile spreadsheets of information. The data compiled included the following information (if known): names, names of enslavers, locations related to the person, birthdates, relationships, what happened to them (e.g., emancipation, willed, ran away), the records’ citations, and other notable information. &#13;
&#13;
The resources used to discover this information are varied, and all can be found at the Truban Archives. Volunteers examined newspaper clippings and several books, including abstracts of wills, research notebooks, births indexes, and a publication on the history of Edinburg, Virginia.&#13;
&#13;
Once the data of several hundred people were assembled, the spreadsheet was uploaded to the digital archives for public consumption. More people will be uploaded as the research progresses.&#13;
&#13;
Though much information has been found and made available to the public, unfortunately, Bondage Biographies: Enslaved People of Shenandoah County Collection will never truly be completed. This is due to lost records, including missing newspaper copies and unrecorded information. Because of this, the collection is an ongoing process, with more entries being made as new information is discovered. &#13;
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                  <text>Shenandoah County Library</text>
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                  <text>1772-1865</text>
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              <text>Enslaved by William Cathay.</text>
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              <text>William Cathay bought Doley from Jacob Holman on November 24, 1772 (Deed Book A, p. 126).</text>
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          <name>Birthplace</name>
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              <text>Unknown</text>
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          <name>Death Date</name>
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              <text>Unknown</text>
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          <name>Birth Date</name>
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              <text>Unknown</text>
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          <name>Bibliography</name>
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            <elementText elementTextId="120548">
              <text>Nancy Stewart, "African Americans in Shenandoah County, Virginia Notebooks," vol. 1, book A, (2010), 114.</text>
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          <name>Occupation</name>
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              <text>Enslaved Person</text>
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              <text>Lived in Woodstock, Virginia.</text>
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            <name>Identifier</name>
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                <text>EnslavedPerson:18534</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Doley</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Enslaved Person-Virginia-Shenandoah County</text>
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                <text>Woodstock (Va.)</text>
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                <text>Daughter Sall, EnslavedPerson:18535</text>
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                <text>Dan Smith</text>
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                  <text>In 2018, the Truban Archives began compiling information to create a searchable database of enslaved people in Shenandoah County during the years 1772 to 1865. Under the direction of the archivist, several volunteers pored over various resources to compile spreadsheets of information. The data compiled included the following information (if known): names, names of enslavers, locations related to the person, birthdates, relationships, what happened to them (e.g., emancipation, willed, ran away), the records’ citations, and other notable information. &#13;
&#13;
The resources used to discover this information are varied, and all can be found at the Truban Archives. Volunteers examined newspaper clippings and several books, including abstracts of wills, research notebooks, births indexes, and a publication on the history of Edinburg, Virginia.&#13;
&#13;
Once the data of several hundred people were assembled, the spreadsheet was uploaded to the digital archives for public consumption. More people will be uploaded as the research progresses.&#13;
&#13;
Though much information has been found and made available to the public, unfortunately, Bondage Biographies: Enslaved People of Shenandoah County Collection will never truly be completed. This is due to lost records, including missing newspaper copies and unrecorded information. Because of this, the collection is an ongoing process, with more entries being made as new information is discovered. &#13;
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&#13;
The resources used to discover this information are varied, and all can be found at the Truban Archives. Volunteers examined newspaper clippings and several books, including abstracts of wills, research notebooks, births indexes, and a publication on the history of Edinburg, Virginia.&#13;
&#13;
Once the data of several hundred people were assembled, the spreadsheet was uploaded to the digital archives for public consumption. More people will be uploaded as the research progresses.&#13;
&#13;
Though much information has been found and made available to the public, unfortunately, Bondage Biographies: Enslaved People of Shenandoah County Collection will never truly be completed. This is due to lost records, including missing newspaper copies and unrecorded information. Because of this, the collection is an ongoing process, with more entries being made as new information is discovered. &#13;
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&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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&#13;
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&#13;
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&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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Her sister was Elizabeth (Gochenour) Cox.</text>
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                <text>Identified in 2002 by June Hockman.</text>
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&#13;
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&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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Don is remembered as being a teacher and guidance counselor at Fork Union Military Academy, the Massanutten Academy and Central High School in Woodstock. He was a member, deacon elder and sunday school teacher at the Woodstock Presbyterian Church, a member and past president of Woodstock Lions Club, a member of the Woodstock American Legion Post No. 199, was a little league baseball coach and officiated for the Virginia High School League for 30 years.&#13;
&#13;
His wife was Mary Georgia (Manson) Womble. The couple raised three children together: Steve Womble, Donna (Womble) Lineweaver, and Mary Ann (Womble) Durette. &#13;
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The image on the left has a mark at the top where the photographer noted which of the two images he planned to print.</text>
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                <text>Don't Forget to meet me at Mt. Jackson Va.</text>
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                    <text>Transcript of interview&#13;
Dillon Broadwell&#13;
Interviewer: And that works. So, I guess for continuity, can we just have your name&#13;
and, you know, where you are from?&#13;
Shamburg: Donal Gustenian Shamburg.&#13;
Interviewer: And you were born in?&#13;
Shamburg: I was born on the Supinlick Ridge west of Mount Jackson.&#13;
Interviewer: Ok, Ok. Can you talk to us a little about your childhood and what you&#13;
remember about it?&#13;
Shamburg: Yeah I can talk about that. Uh, when I was a boy at school age… and this&#13;
will tell you how old I am. I walked to school. About a mile in a one room school&#13;
house with all the grades but just about one child or two in each grade. The school&#13;
house is still standing there. Yeah.&#13;
Interviewer: Growing up in a school like I guess you got to know the kids in your&#13;
grade.&#13;
Shamburg: I knew every one of them&#13;
Interviewer: You knew everyone one of them? Where you ever any good friends&#13;
with any of them?&#13;
Shamburg: Yes good friends and the first thing that we learned when we started the&#13;
school was the multiplication tables. And that is something you will use the rest of&#13;
your life. Yeah.&#13;
Interviewer: Did any of the teachers really stick out to you as role models or&#13;
anything like that? The teachers in the school house?&#13;
Shamburg: Do what now?&#13;
Interviewer: Did any of the teachers in the schoolhouse stick out to you? Where&#13;
there any you really remember or?&#13;
Shamburg: Well yes. Alright. Our one teacher that come to school early in the&#13;
morning before the children to make fire her name was Mrs. Good. And course had&#13;
this big round stove. And she went to go make fire in the stove. What she threw in&#13;
there caused it to explode and come out on her and that kill her. Our school teacher.&#13;
That is the one instance yes.&#13;
Interviewer: What happened after that?&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Shamburg: Well the superintendent in school would come to the schoolhouses&#13;
years ago. Now they send somebody else. They would come and we’d would see him&#13;
coming up the lane and everybody got real quiet, yeah. “ Superintendent’s coming!”&#13;
“Superintendent coming!” “ Here he comes!” So we watched that very closely.&#13;
Interviewer: From the article that we were given it said you grew up on Bird&#13;
Haven or in the area.&#13;
Shamburg: Alright. I was more towards the town of mount Jackson&#13;
Interviewer: Ok, ok. Can you describe Mount Jackson a little bit and what you&#13;
remember from your childhood?&#13;
Shamburg: Well it had one theatre. Now all the movies was about cowboys. You&#13;
can’t even get that on television no more. But uh, then…. I’ll tell you the story about&#13;
the poor lady who walking down the boardwalk. They had a boardwalk. And she fell&#13;
down. And the lady got up, he laughed at her. And you know what she told him? She&#13;
says, “What I see of you, mister, you’re no gentleman.” And what he told her “ What I&#13;
seen of you your no gentleman either.” (laughs)&#13;
Interviewer: So that was something you saw walking down in Mount Jackson?&#13;
Shamburg: No I didn’t.&#13;
Interviewer: From what the articles that we were given it said that your mother&#13;
worked at Bird Haven. Can you talk a little about that?&#13;
Shamburg: She worked some at Bird Haven but she worked more in Shenandoah&#13;
Valley Spring Hotel, which was just a little ways up and she worked there. Because a&#13;
lot of people from the city came back there in the summer cause it was cooler back&#13;
there. And they had their own milk cows. They milked them cows and fed that to the&#13;
people who’d come from the city. Yeah. And my mother worked there a lot. Now we&#13;
would ride from where we lived at Mccainy back with the lady that worked in Post&#13;
Office. Yeah Mcrider was her name. But anyhow, then we’d, well the first thing they&#13;
started making a Bird Haven were toys out of wood. Wooden toys. And sales of them&#13;
kinda got down then they started making furniture. Little stools and all that kinda&#13;
stuff. Out of the lumber back there. Yeah. Got dry and then they’d get it in there. And&#13;
if I remember right it was probably, maybe half a dozen or so men there working&#13;
there and she worked there some. But most of the time she went up to the hotel.&#13;
Because the lady that run the hotel is some relations to us. Years ago 3 men come&#13;
there. One was Joseph Lonas, and the other bother was Jim Lonas and my great&#13;
grandfather was Sam Lonas. Ok. The one became undertaker and I think this&#13;
lady’s…I ain’t got it figured out exactly what relations this lady is got but I’m gonna&#13;
find out if she comes around here today, but any how. The next one up was Jim&#13;
Lonas and he had a store across the road. That’s when you got bananas off of a great&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
big long thing and then you cut off a bananer so in the store. Can’t imagine that now.&#13;
And the next one up was my great grandfather Sam Lonas and he was a life stock&#13;
dealer. So he would hock his horse. All these stories I’m telling you is not when they&#13;
had automobiles a’buzzin up and down the road but everything was horse business.&#13;
But he’d hook his horse up to his wagon and take a dog along with him and go cross&#13;
to Mathias, West Virginia and he would buy a couple head of cattle or maybe a&#13;
couple turkeys that was good and bring them over to Mount Hermon there. Yeah.&#13;
That was his business. Yeah.&#13;
Interviewer: Do you remember anything about Bird Haven? Where you allowed on&#13;
the premises?&#13;
Shamburg: Well, since I was small like I say I would go in there but there was one&#13;
family, Arb was his name and he lived there at bird haven in a house him and his&#13;
wife. Of course he was kinda the head of the woodwork business too.&#13;
Interviewer: Can you describe that house a little bit? Do you remember anything&#13;
about it?&#13;
Shamburg: No it was just a plain house there. There was nothing modern or&#13;
anything. Them days you didn’t have a lot of electric in your homes.&#13;
Interviewer: Did your mother make any friends with anyone there?&#13;
Shamburg: We were all friends. All friends cause there wasn’t too many there and&#13;
they all come from around. Yeah. One women that worked there at the hotel, Sally&#13;
Delootter was her name and she lived way up on the North Mountain but she would&#13;
come down there worked at the hotel. She had a couple boys and one of them is still&#13;
living. They’re Delootters Yeah. Of course I would meet with them, you know. Yeah.&#13;
Interviewer: So you would meet up with them and… What would you do?&#13;
Shamburg: Play. Play, play ball or anything simple.&#13;
Interviewer: Baseball? Anything that you?&#13;
Shamburg: No, that wouldn’t… but I have to tell you this story about the cows. They&#13;
had nice Jersey cows there and they had a calf. So they didn’t want the calf so I&#13;
bought the calf off what couple dollars I had, I think it was five dollars to give for the&#13;
calf. And I kept that calf for a cow. Growed her up. And I still grow cows.&#13;
Interviewer: When did you first buy that cow? When was that? Do you remember?&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Shamburg: Uh no, just when I was a little boy or so I’d say, its about… I have this&#13;
fear of my age now. How old am I? Will you tell me? Make a guess! You think I’m&#13;
sixty years old yet? ( winks) (points) how about you?&#13;
Interviewer: I think the paper said 88.&#13;
Shamburg: (laughs) yeah that’s exactly. Yeah.&#13;
Interviewer: So that was a while ago. Why did you become interested in farming?&#13;
Shamburg: Wasn’t nothing else to do. You had a little land and you’d begin to farm.&#13;
The first thing I raised were turkeys from the neighbor back there. He had a chicken&#13;
house and he started the turkey and he brought the rest of them over and then I&#13;
finished them out on range. Then they stopped that now. That is how I used to raise&#13;
all my turkeys outside. And now they put big buildings up and they’re not ranging&#13;
them outside. But they would get real pretty out their heads would get real red you&#13;
know and all. That’s is how I raised 6 kids. Yes. I had 4 girls and 2 boys. And the&#13;
worst thing that happened in my life is when my wife died. Yeah. That was 6 years&#13;
ago. The next thing happened: a tornado comes through my farm and torn 400-foot&#13;
chicken house all to pieces. That was in 2011. But have all my family lives within&#13;
sight of where we live. My son lives with me and he farms and my other son lives&#13;
within sight and he farms. Yeah. We keep beef cattle now.&#13;
Interviewer: When did you start just focusing on cattle?&#13;
Shamburg: Why did I?&#13;
Interviewer: No, When. When or why.&#13;
Shamburg: Well, you could start with cows in a small way. As they produced you&#13;
could keep their offspring and that would increase your heard. And the males why&#13;
we’d send them to the market for other people to buy to put them into feed lots to&#13;
feed them, as they do today. Yeah.&#13;
Interviewer: I guess since you mentioned your wife when did you meet her?&#13;
Shamburg: She what?&#13;
Interviewer: When did you meet your wife?&#13;
Shamburg: I met her… I’ll tell you when I got married: 1958. But I had met her&#13;
before because she lived up from Birdton on the Branch Mountain. And people&#13;
would find out about them up there and they’d go up there and get a girl to come&#13;
and take care of their children while they done other thing. So that is what she did.&#13;
And her sister moved down real close to where we lived to take care of some boy&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
that their daddy and mother worked at Rockingham Poultry. So she came down&#13;
there. Course I went over because I wanted to meet her or just met her and it went&#13;
on from then. Yep.&#13;
Interviewer: So you married her in 1958. What happened in the mean time with&#13;
getting to know each other? Was it a long game or how did it go?&#13;
Shamburg Well wasn’t anything to do back then but the movies and a lot of the&#13;
homes in that area didn’t have current. And up at my grandfathers home they had a&#13;
lot of children, his son did, but they had a building they made a building there and&#13;
they put sawdust in there. Then they’d go to the back in the winter at Basey, Stoney&#13;
Creek, and cut ice off that creek, haul it up there and put it in that saw dust and&#13;
cover it all up in the building and that is where they got their drinking water. Cooled&#13;
awhile, through the summer next. And it stayed in there a long time too.&#13;
Interviewer: Was that popular way to do it? To get drinking water during the&#13;
summer?&#13;
Shamburg Well if you didn’t have no electric. But the next thing come, and I for&#13;
worked the man up there in Mount Jackson. They had an icehouse there. They’d get&#13;
these big chunks of ice and set them on a truck and cover them up and then go on&#13;
out the road and they give each one of them to families there a sign that they’d put&#13;
up on the window that said 25, 50, 75. So you’d take the ice pick and go down there&#13;
chip off so much about 25, carry it into the house, put it in their little thing in the&#13;
house to hold ice.&#13;
Interviewer: They had a thing in house to hold the ice not in the back? How would&#13;
that work?&#13;
Shamburg: They’d just set the ice in it. Cause they’d know how much they need to&#13;
use until the next time you come out the road.&#13;
Interviewer: To go back to Bird Haven, I guess, the toys and everything that they&#13;
made, do you remember anything about those or how they were built?&#13;
Shamburg: Well yeah they made kinda nice little toys. Always pretty small, you&#13;
know. And then when the sales come down then they began to make stools and all&#13;
kinda different thing put in the house to use in the house. So that’s is the main thing&#13;
I remember.&#13;
Interviewer: Ok.&#13;
Shamburg: Now you want me to do you what to tell you about my first car?&#13;
Interviewer: Absolutely. Yes&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Shamburg: You want to hear about that? Think I ought to tell him that story?&#13;
Shamburg’s daughter (Alessia): No.&#13;
Shamburg: Oh yeah I’m gonna tell it. Yeah. Cause I’m not ashamed of it. My first car&#13;
was a 31 Model A ford. And it was second hand, I give 125 dollars for it. And I used it&#13;
for a while. My grandmother and I would go to see our my relatives from down in&#13;
Martinsburg cross to Matthias and she would sit in there and I’d go down the road&#13;
and that boy that old thing was a roaring gemny-wiz cause I wanted to go over and&#13;
I’d give her hell and the old thing roared but about 60 was it. Yeah. But then… now&#13;
this never happen but I teased the girls about that. You see it had this big gearshift&#13;
up in the middle. And I’d tease these girls about that. I’d say “ You know, you want&#13;
to ride on my car?” And I’d go up them old hills you know and it didn’t want to pull.&#13;
And I’d pull that thing back in low gear and the hand would slip off that gearshift.&#13;
Cause you sitting beside of me. You got that didn’t you? Yeah. I thought there would&#13;
be some girls, sure, who would want to ride in my car! (laughs). Alright, next&#13;
question&#13;
Interviewer: So who did you live with growing up? You mentioned your&#13;
grandmother did she live near you and your mother or?&#13;
Shamburg: Yeah. I often wondered… but anyhow I’m gonna tell you the story about&#13;
the three men, the Lonas men. And where they come from I have no idea. But they&#13;
got a certain amount of land. Each one got a big area of land. And they didn’t have&#13;
the money to pay for it I know so I reckon they granted them that. Each one and&#13;
they all build houses on that same road on the land that they got. Yeah, ok. And my&#13;
grandfather and another fellow by the name of Mr. Will Hepbern decided they had&#13;
to have some more income. So they decided they were going to walk back to West&#13;
Virginia in the coalmine country. So they started a’walkin. Can you image starting to&#13;
walk way back in there. Buckhannon, West Virginia: that is wear they landed. They&#13;
dug coal a little awhile and said to the heck I cant take that so they just done other&#13;
things for awhile. But they met four girls. And their last names were Fallons from&#13;
Buckhannon, West Virginia. Well, when they come home then these four girls come&#13;
home (with them). One of the girl’s boyfriend had an old car and they must of come&#13;
home in that car. So my grandfather married one and Mr. Hepbern married the&#13;
other. And they all lived there then. They’re all dead now. They are buried at Mount&#13;
Herman church.&#13;
Interviewer: So when your mother was born did she stay in that area right beside&#13;
them? What did she do?&#13;
Shamburg: Well yeah. At McCainy my grandfather, David Shamburg, he built a little&#13;
store there in McCainy and big house on the other side of the road. And that little ol’&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
store is still standing there. Cause I use to go there and kinda hug him up a little and&#13;
get a piece of candy. Do you want a piece of candy?&#13;
Interviewer: I’m good right now.&#13;
Alessia Shamburg: Tell them about you growing up, you and your grandma and&#13;
your dad died.&#13;
Interviewer: Yeah. What was the name of the store?&#13;
Shamburg: It was just McCainy. (slides candy across table) Ok. Yeah it was just a&#13;
county store, you know, and all. The mail carrier Mr. Will Mumal would go to town&#13;
with his truck and bring mail out from Mount Jackson that come on the train or the&#13;
bus or anyway they could get the mail to Mount Jackson. They had a train track had&#13;
a depot in Mount Jackson and that is where they would get the mail. And he’d carry&#13;
it out the road and stop at each little place like McCainy in there and take the sack of&#13;
mail in house and they’d open the bag up say” Well, Mr. So-and-So lives here. Well&#13;
we take his mail out, take his mail out.” And Mr. Mumal he would bring feed and all&#13;
that stuff from Mount Jackson out. And we would catch a ride back out to Basey,&#13;
back to Bird Haven.&#13;
Interviewer: When did your mother first get the job at Bird Haven?&#13;
Shamburg: Well, after my father died. And she… first place she worked was at&#13;
Bryce’s because a lot of people would come out of the city to Byrce’s and Orkney&#13;
Springs were it was cooler in the summer time and that’s when we would start to go&#13;
back to Bird Haven of course. But she also worked at Bryce’s making beds and all&#13;
that kinda stuff. For the guest that were coming to spend the weekend back there or&#13;
something.&#13;
Interviewer: And then she moved on to Bird Haven?&#13;
Shamburg: Yeah but she didn’t work long at Bird Haven.&#13;
Interviewer: How many years? Do you know?&#13;
Shamburg: Of, maybe… It was off and on. It wasn’t like she come there everyday for&#13;
weeks and weeks and weeks. She might work there a while and then go to the hotel&#13;
or wherever they needed her.&#13;
Interviewer: You keep mentioning the hotel. I guess, can you describe that too?&#13;
Shamburg: Well it was a big building and it was about 3 floors or 4. And that’s&#13;
where they feed e’m, on one floor and of course it had rooms on the other floor.&#13;
That’s where my mother worked there doing that kinda work. And Mrs. Fleeta Ross&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
had to run it and I think that she and this lady here are of some relation. But I’m&#13;
gonna find soon as I get to talk to her. Because I knew all the people. I can now&#13;
almost name every family from Orkney Springs to Mount Jackson. Now that’s gonna&#13;
take awhile but I know there names now.&#13;
Interviewer: Did you just get to meet them all?&#13;
Shamburg: Well just anything we done we learnt to know the neighbors. A lot of the&#13;
neighbors were local names that you could remember. But we had a lot of them&#13;
moved into Bryce Mountain and built, comes to our church and they had such&#13;
different that its hard to keep the names, it is for me and for other that associate&#13;
with them more so yeah. I go to church at Mount Herman United Methodist. It was&#13;
United Brother till they merged and its United Methodist now. And I live at within&#13;
site, I can walk to church or ride a bicycle, drive a car. Yep. That is how you learn to&#13;
know peoples by their familiar name and their relatives.&#13;
Interviewer: Did the church play a big part in your younger part of your life?&#13;
Shamburg: Well, let me tell you how long I’ve been agoin’ there: 88 years and 9&#13;
months. You caught that, didn’t you? Okay. (laughs)&#13;
Interviewer: So your mother was a big churchgoer then? She would drag you there&#13;
sometimes?&#13;
Shamburg: Yep.&#13;
Interviewer: So when your mother was switching in-between the hotel and Bird&#13;
Haven do you know which job she enjoyed more? Which one she would meet more&#13;
people from? Did like anyone from those place come to your house and eat food&#13;
with you or eat dinner?&#13;
Shamburg: I didn’t quite catch your question.&#13;
Interviewer: So your mother would switch in-between working at Bird Haven and&#13;
the hotel. Was there a particular one she enjoyed do you know?&#13;
Shamburg : Well she liked work at the hotel more. Because she worked there more&#13;
and she was familiar with the owners of it. Yeah.&#13;
Interviewer: Did you get to meet any of the people she worked with ever?&#13;
Shamburg: Oh yeah I’d be there. Course I was outside there at the hotel just doing&#13;
odd jobs: pick up the paper and things that need to be done. Because Fleeta told my&#13;
mother to bring me along so that I had someone to stay with at the hotel, that is why&#13;
I was there.&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Interviewer: So if she was ever working at Bird Haven would you go to pick up odd&#13;
jobs?&#13;
Shamburg: No I wasn’t that old.&#13;
Interviewer: Did you ever go onto the premise or did you stay away?&#13;
Shamburg: Did I ever do what?&#13;
Interviewer: Did you ever go to Bird Haven or did you mostly stay away from it?&#13;
Shamburg: Mostly at the hotel, yeah.&#13;
Interviewer: Did she ever bring back on the toys or stools or anything like that to&#13;
play with?&#13;
Shamburg: Oh yeah we meant to bring one along. Stools and different things. They&#13;
sanded them down and man they were beautiful stuff. Of course they sold it as they&#13;
could get money.&#13;
Interviewer: Do you remember when it shut down?&#13;
Shamburg : No I don’t recall. I can’t get in my head exactly who bought the toy&#13;
factory and he resold it then. Yeah. I might think of that here before I get out of here.&#13;
Interviewer: So when that eventually stopped happened did she start solely work&#13;
for to the hotel or did she start working on something else?&#13;
Shamburg: Mainly that was it.&#13;
Interviewer: And then you got your start in farming from getting a small calf from&#13;
someone.&#13;
Shamburg: Yeah.&#13;
Interviewer: As you got older did you eventually kinda move off and start focusing&#13;
solely on farm work or did you or anything else?&#13;
Shamburg: How about repeating that question.&#13;
Interviewer: When you first got into farm work were you doing anything else on&#13;
the side? Were you doing any sort of odd jobs or did you see the farming avenue and&#13;
went with it?&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Shamburg: Well yes. The first thing I raised were turkeys on range that Mr. Fancler&#13;
back at Orkney started in his house. And when we sold them they made $1900 and&#13;
Mr. Ashby Fancler said “ I’ll give you $1000 and I’ll take the $900”. So that started&#13;
me in the turkey business. Yeah. Then after that I built a poultry house of my own&#13;
and then it begin to get children and them children helped me inside ‘cause those&#13;
that were in the house, we’d take and clip the ends of their peaks off a little so they&#13;
couldn’t pick and scratch feed out. And them children just love that job. They just&#13;
loved that job. Help debeak them turkeys (Laugh) Didn’t, Alessia? Come on tell it.&#13;
Shamburg’s daughter: (laughs) Yeah.&#13;
Shamburg: They had to hand them up to me and the wife and we would snip them&#13;
off. Well, then we were with working with the next bunch and they sent a couple&#13;
Mennonite men down. But they would not drive a car so they had to send a chauffer&#13;
to them down there. Then they come and debeak them.&#13;
Interviewer: How many children did you have?&#13;
Shamburg : Only had six.&#13;
Interviewer: How many brothers and sisters did you have?&#13;
Shamburg: Just one, just one brother. He is dead now.&#13;
Interviewer: Did he also get involved in farm worked?&#13;
Shamburg: Basically there what’nt anything much for a young person to do. If any&#13;
land came up for sale where I lived for I always tried to buy it cause you could buy it&#13;
for about 100 dollars an acre. Well, then another person would die and his land&#13;
would come up for sale so hat is how I got it all bunked together. Then the children&#13;
they got old and they would begin to get married. They’d give up their Shamburg&#13;
name and they went with other names. And I give them a place to build their house&#13;
they wanted to build. I said go up there and just take a piece of land and build. Can’t&#13;
do that anymore though. Of course they don’t stay at the same place now. Cause&#13;
years ago when her husband came down to see her he drove a little Volkswagen&#13;
(laughs). Yep.&#13;
Interviewer: Go ahead, sorry.&#13;
Shamburg: But that must have worked cause they still together and they have two&#13;
children. They live within sight of me, right at Mount Herman Church. They all live&#13;
right in site. When you get old you start to appreciate that too. They do everything&#13;
for me they can do.&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Interviewer: Do you have a part of farm work that you really enjoy? That you like&#13;
doing?&#13;
Shamburg: Well I enjoy raising chickens, all of that. Or turkeys. But then when the&#13;
tornado come through it torn these chicken houses all down. But it didn’t tear the&#13;
houses up, where they lived. And that evening it was a’storming there. I was out&#13;
there outside of my house. So I said “Well it’s just a storm I’ll just go to bed.” Went to&#13;
bed and next morning and why my son call me and said “Dad says you better come&#13;
up here.” I said “What’s the matter?” He said “Storm tore the chicken house down.”&#13;
I said “You mean take the roof off?” He said “Hell no! Tore it all to pieces!” 400-foot&#13;
double story chicken houses. Yep&#13;
Interviewer: Had there been any other storms earlier in your life that had taken out&#13;
things like that or was it a first?&#13;
Shamburg That was about it. But every time they talk about a tornado we pay&#13;
attention.&#13;
Interviewer You mentioned your father earlier can you explain a little about him?&#13;
Do you remember him?&#13;
Shamburg: Well he had a truck that he could haul lumber or… wasn’t long distance&#13;
but the logs and the things like that. He’d go up in the hills there toward Morning&#13;
Star and there were some people up there you had to consider. Because a lot of&#13;
people went in there selling pots and pans and all that stuff and it was told that&#13;
some of them didn’t come out. They killed them up there and got the pots and pans&#13;
and stuff. Can you imagine that?&#13;
(CAMERA DIES AND INTERVIEW IS RESTARTED)&#13;
Interviewer: Alright I believe that works. Ok, we only probably have about 20&#13;
minutes. If I can get this situated…. Sorry. Just don’t want to stay… okay, that will…&#13;
that will do. Um, since I guess since you were talking about your father when did&#13;
your father meet your mother? I don’t think I asked that yet.&#13;
Shamburg: Don’t know. I don’t recall exactly when it might have been. Well he died&#13;
in 1936 so it must have been in the 20’s, early 20’s along there. Because them days a&#13;
lot of their marriages was your neighbor’s daughter. So that’s how that happens.&#13;
Interviewer: So you grew up during the depression then?&#13;
Shamburg: Yeah.&#13;
Interviewer: Did that have any impact on you, growing up, that you know?&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Shamburg: No.&#13;
Interviewer: Ok. Were you pretty insulated from it or could you tell its affect?&#13;
Shamburg: No, I didn’t…. Let’s see. The war. The war started in about 1933. One of&#13;
the wars we have: we had so many of them, you know, different places. But I think&#13;
about 1933. But I wasn’t… then it went on till about 1940 couple … and different&#13;
wars… but that got over with. But I was old enough to be drafted. And since I was in&#13;
agriculture my neighbor down there he went down to the draft board and told them&#13;
I lived with my mother and that I was in agriculture and so they give me a small&#13;
deferment. Then the war ended, yeah.&#13;
Interviewer: Did any of your friends go over and fight? Do you know?&#13;
Shamburg: Yes. Down there at the community store at Basey their names were&#13;
Funkhousers. And Neven Funkhouser, he had a sawmill but then his wife Gladys,&#13;
she was a Mumal, but she married Neven and they had a good many children. Some&#13;
of those boys was killed over there and never got back. That was one instance. Yep.&#13;
Interviewer: So if you go deferred from WWII there was also Korea. Did you get&#13;
drafted for Korea?&#13;
Shamburg: No, nuh-uh. no. Yep.&#13;
Interviewer: I know you didn’t spend a lot of time on Bird Haven, did you know&#13;
how WWII and the depression affected those areas? Even the hotel, was there a&#13;
distinct impact?&#13;
Shamburg: Well since you was young and sometimes we had to walk to work. Back&#13;
over the ridge there. We didn’t get to go a lot of other place or do other things. Yeah.&#13;
And your age had something to do. Yeah. After I got older then I got into agriculture.&#13;
And I’m still in it.&#13;
Interviewer: Did you have any other interests? Like an interest on cars or anything&#13;
like that? Did you ever work on cars?&#13;
Shamburg : Ah any old thing… since my first car was a Model A. Then the next&#13;
year… well the Model T was first. You had to crank that to get it started. So a lot of&#13;
people, older men, would go to town they’ get all snuttered up on beer and stuff in&#13;
Mount Jackson and come out there. This one fellow, Floyd Holman, he pulled his&#13;
Model T there in front of the country store and he’d go in there a little bit, he’d come&#13;
out and he’d crank that thing, get it going you know. You had to pull the throttle&#13;
down and spark up when you cranked it or it would kick you. Anyhow us boys&#13;
would chuck the back wheel. Well he would get in that thing and he’d kill it. He done&#13;
that about 2 times and he’d get in there and boy he had that Model T wide open just&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
a hummin’. We just slip that old chuck out behind the back wheel and he jumped&#13;
that thing clean out in the middle of the road. That was our fun. That was our fun.&#13;
Interviewer: What would you mother or grandmother do for fun? What would they&#13;
do outside of work?&#13;
Shamburg: Nu-uh. That is mainly all they done…&#13;
Interviewer: Sorry, have to think for a second.&#13;
Shamburg: Seems to me that in my mind Sam Clark bought Bird Haven one time. I&#13;
think his name was Sam Clark. I might be wrong about that.&#13;
Interviewer: Who was that?&#13;
Shamburg: He bought that and resold it.&#13;
Interviewer: Ok, Ok.&#13;
Shamburg: So I didn’t, I didn’t know much about Bird Haven.&#13;
Interviewer: Have you gone up there recently like any time after it was sold?&#13;
Shamburg: Oh yeah well I drove through. See, they started raising hogs back there.&#13;
And I’d drive around back there to see these hogs and cattle. They started raising&#13;
some cattle and they put a big fence around that whole lot of it back there. Yeah.&#13;
And bought more land too. Yeah. For that place back there. I don’t see how it worked&#13;
for him because: all woods back there, all woods back in there. But the hotel down&#13;
there later on it was own by Fleeta and John Ross and they decided they weren’t&#13;
gonna have people no more. So Elmer Delooter started raising chickens in that hotel.&#13;
Yeah, raising chickens. And then you could sell them wood to heat the heat for the&#13;
little chickens. Yeah, that was one thing that we would do back there.&#13;
Interviewer: So they would use the hotel building as like a chicken cope?&#13;
Shamburg: Yeah.&#13;
Interviewer: So they just didn’t take people any more? Did they gut the placeand&#13;
use it as a chicken cope or did they just leave it as it is and just put chickens in&#13;
there?&#13;
Shamburg: Yeah I rekon I don’t know. They had chickens in there I know.&#13;
Interviewer: Wow. After your mother stop working for the hotel. did she just work&#13;
for the hotel till she died or did she do anything else?&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Shamburg: Well we bought a farm of my grandfather’s sisters farm. Had some land&#13;
to it. Of course then that was our job to raise some cattle there and a little corn and&#13;
different things. Not a lot of acres but enough that we could survive on. Yeah&#13;
Interviewer: So you keep talking about livestock. Was there any other crops you&#13;
would do? Corn, wheat?&#13;
Shamburg: Mainly corn cause that was your big thing. And you could graze some of&#13;
it and use any grasses for hay. Yeah. They made years ago they use to haul and cut&#13;
your hay down, put in on a wagon, haul it in the bar, throw it in the bar. That was&#13;
taken a lot of labor. Then the next thing that come was a little square baler. Oh that&#13;
there is wonderful. Well then you had to get that bailed up and get that in to dry.&#13;
Then the next thing come is the round baler. Round rolls. That’s… then you could set&#13;
them outside. Of course now a lot of people put’s plapstic around them. You see&#13;
them white ones sittin’. Yep. Then, take your take your tractor, if you are on a roller,&#13;
has thing that go into the hail bale, take it out in the field, roll it out. See, less labor.&#13;
Yep. And I got cows at four different places and my sons they do it most of the other&#13;
times.&#13;
Interviewer: You are talking about all this labor saving stuff. Before that were you&#13;
hiring a lot of farm hands?&#13;
Shamburg: No, raising them chickens I done it myself. Except when we debeaked&#13;
‘em. Then I had help with debeaking them chickens.&#13;
Alessia: You hired help. You hired Help.&#13;
Shamburg: I didn’t not.&#13;
Alessia: No you hired help when you were farming.&#13;
Shamburg: Not much, not much. You did have to have some help. putting hay in the&#13;
barn you got a hay roller or different things. You had to have some help. Sure. And&#13;
then you could hire people for about 50 cents an hour or you could go back to Basey&#13;
and it was always some men who wanted a couple dollars there at the community&#13;
store and you could pick up somebody to help you a day or two. Yeah.&#13;
Interviewer: Did your mother start working on the farm after or did she continue&#13;
to work at the hotel?&#13;
Shamburg: Oh she helps us come out afterward and chuck corn of some out… yeah.&#13;
She worked hard an so I done everything I could. uh-huh.&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Interviewer: Do you remember anything about her personality? Was she just a&#13;
hard working individual or was she silly?&#13;
Shamburg: Well, her and I got a lot good but every now and then we would disagree&#13;
on things a little bit about how the farm and all. But, as far as her personality, it was&#13;
ok. Yeah&#13;
Interviewer: So she was fairly nice?&#13;
Shamburg: Yeah she was. uh-huh.&#13;
Interviewer: Same with your grandmother?&#13;
Shamburg: Yeah. Oh, my grandmother. See I would stay with her all summer long&#13;
until winter time. Then she went down to the city to stay with one of her children.&#13;
And that was 16,17 B Street North East. Yeah, you don’t remember that place do&#13;
you? (looks at Alessia) Wouldn’t think so. (laughs)&#13;
Interviewer: So what would do when you stayed with your grandmother. Did she&#13;
live on a farm too?&#13;
Shamburg: No she lived there were the store was at McCainy. Yeah.&#13;
Interviewer: So you’d work at the store I assume?&#13;
Shamburg: Uh mainly my grandfather. Of course she had the house up there, take&#13;
care of the house. And take care of me when I was a little boy I use to stay with her.&#13;
And she learnt me how to eat apple butter bread and milk sittin’ on her knee. You&#13;
know what I like today? (laughs) Apple butter bread and milk.&#13;
Interviewer: Let me see… That is probably good enough. Since you didn’t really&#13;
know much about Bird Haven, that is fine. Got a lot about your life, which was good.&#13;
Is there anything that you wanted to talk about that you didn’t really&#13;
Shamburg: No and I didn’t get to mention all them peoples name from Orkney&#13;
Springs from Mount Jackson and their families.&#13;
Alessia: We’re not going to (laughs)&#13;
Interviewer: So there were about 12 families that worked at Bird Haven is was&#13;
about around that many?&#13;
Shamburg: Probably so. Of course I didn’t learn to know all them back there&#13;
because I wasn’t there that much. Cause through summer months why I stayed with&#13;
my grandmother at McCainy.&#13;
&#13;
�Transcript of interview&#13;
Dillon Broadwell&#13;
Interviewer: Did any of the kids from those places did you get to meet them when&#13;
you were younger?&#13;
Shamburg: Not too much except for school times. Yeah. And when I walked to&#13;
school for awhile then they started abringin’… well some of them went to Triplet&#13;
middle school in Mount Jackson and they had a car to ride in. Then after that they&#13;
started with the busses and they are still bussin’ it now. Yeah. But it wasn’t that&#13;
thickly of a population with people cause when I went to school was only maybed 6&#13;
or 8 or 10 people at the school and they all walked. Everybody was that close&#13;
walked to school.&#13;
Interviewer: Was it just an elementary school?&#13;
Shamburg: Yeah, just a plain school&#13;
Interviewer: Did you go eventually go to middle school and high school like those&#13;
eventually? You mentioned a middle school that you would get bussed to.&#13;
Shamburg: Well then the next town was Mount Clifton and they had a school there.&#13;
And we would go there till we got to an older age and then we went go to the high&#13;
school in Mount Jackson. Yeah&#13;
Interviewer: And after high school?&#13;
Shamburg: Huh?&#13;
Interviewer: Did you finish high school?&#13;
Shamburg: No. About the first year or so in school and I decided I was tired of that&#13;
and I was gonna farm or mess around out there.&#13;
Interviewer: Okay. Yeah. That should be good. Thank you so much for everything….&#13;
&#13;
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                  <text>Sometime in the early 1920s Philadelphia banker and philanthropist William Bernard Clark founded the Shenandoah Community Workers organization near what is now Basye Virginia. This group was designed to provide locals, many of which were economically disadvantaged, with good paying jobs based on their wood working traditions. Clark built a factory on property his grandmother had purchased as a personal retreat and named it Bird Haven Virginia.&#13;
&#13;
Initially the community workers focused on wooden toys and puzzles. Many of these featured birds, Hollywood Stars, or animals. Later the company began to produce small wooden furniture, bowls, and kitchen utensils. Bird Haven closed sometime in the early 1960s. &#13;
&#13;
Following this, most of the records were lost and much of the site's history was forgotten. This oral history project, conducted as part of a partnership between the Shenandoah County Library, James Madison University, and Bird Haven Farm, is designed to recover some of lost parts of the site's story. It focuses on interviews of 14 members of the Bird Haven community, including several employees and individuals who lived nearby. All interviews and transcriptions were conducted by JMU history students and are available for viewing in person at the Shenandoah County Library's Truban Archives. </text>
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                  <text>Morrison, Hugh Jr. (1871-1950)</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>Hugh Morrison Collection, Shenandoah County Historical Society Inc. </text>
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
</text>
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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            <name>Identifier</name>
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                <text>IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED</text>
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                <text>Donald and Fay (Gilkerson) Dellinger and Daughters</text>
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                <text>Varney, Linda Dellinger </text>
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                <text>Photograph of Donald J. Dellinger with his wife and two daughters posed under a tree outdoors.&#13;
&#13;
Identified (l to r) are: Linda (Dellinger) Varney, Donald J. Dellinger, his wife, Fay (Gilkerson) Dellinger, and Delores (Dellinger) Wise.&#13;
&#13;
Donald and Fay married in Washington D.C. in 1944. Two days later, Donald enlisted in the U.S. Army and served until February 1946.&#13;
&#13;
They are buried together in Cheltenham, Prince George's County, Maryland.</text>
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                <text>Undated</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Identified in 2014 by Linda (Dellinger) Varney who is the little girl on the left in the photograph.</text>
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                <text>Donald Joseph Dellinger appears in Morrison Studio Collection numbers 021911, 025578, 028975, and 040276.</text>
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                <text>Linda (Dellinger) Varney appears in Morrison Studio Collection numbers 004663 and 028975.</text>
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                <text>Delores (Dellinger) Wise appears in Morrison Studio Collection numbers 007169, 021911, 028975, and 040276.</text>
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        <name>Men</name>
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      <tag tagId="173">
        <name>Shenandoah County</name>
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        <name>Varney</name>
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                  <text>Morrison, Hugh Jr. (1871-1950)</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>Hugh Morrison Collection, Shenandoah County Historical Society Inc. </text>
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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              <text>Glass Negative</text>
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            <name>Identifier</name>
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              <elementText elementTextId="279371">
                <text>015931</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Morrison Studio</text>
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            <name>Source</name>
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                <text>Morrison Studio Collection - Shenandoah County Historical Society</text>
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            <name>Publisher</name>
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                <text>Shenandoah County Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Donald E. "Donnie" Dellinger</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Dellinger, Donald Eugene (1943-2023)</text>
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            <description>An account of the resource</description>
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                <text>Donald Eugene "Donnie" Dellinger shown as a young boy seated on a chair.&#13;
&#13;
Donnie was born in Conicville, son of the late Ruby Hawkins and stepson of the late Robert Hawkins. &#13;
&#13;
He was a 1963 graduate of Central High School and retired after 35 plus years as a truck driver for George's. &#13;
&#13;
He married Linda (Barton) Dellinger and raised three children: Darcy L., Denise, and Travis Dellinger.&#13;
&#13;
The name, "Dellinger", and the date "Mar 26th 44", are written on the glass plate.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>"Mar 26th 1944" is written on the glass plate.</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Identified in 2009 by Doug Dellinger.</text>
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        <name>Shenandoah County</name>
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                  <text>Morrison, Hugh Jr. (1871-1950)</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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&#13;
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&#13;
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                <text>Donald Eugene Fisher only lived for eight months. &#13;
&#13;
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Donald was the son of Wilbur G. (1912-1994) and Erma Maude (Seal) (1918-1981) Fisher.  He had a brother, Jerry Fisher.</text>
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                <text>Identified in 2009 by Phyllis S. Wright, who had the same photograph at home.  Phyllis remembered his parents were "Rebe" and Erma (Seal) Fisher.</text>
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&#13;
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&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                <text>Donald Fisher as a young man and wearing a double-breasted jacket and tie.&#13;
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Donald grew up in Strasburg and became a teacher at Strasburg High School.</text>
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                  <text>Morrison, Hugh Jr. (1871-1950)</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>Hugh Morrison Collection, Shenandoah County Historical Society Inc. </text>
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              <name>Publisher</name>
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
</text>
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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            <name>Identifier</name>
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                <text>024979</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Shenandoah County Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Donald Gatchell</text>
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            <description>The topic of the resource</description>
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                <text>Gatchell, Louis Donaldson "Donald" (1925-1993)</text>
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                <text>Sailors - American - Virginia - Shenandoah County</text>
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            <description>An account of the resource</description>
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                <text>Photograph of Louis D. "Donald" Gatchell as a young man wearing his U.S. Navy uniform.&#13;
&#13;
Donald was the son of Louis Raymond and Robie (Donaldson) Gatchell.&#13;
&#13;
After his naval service, he married Dorothy Mae (Jones) Gatchell in 1946. &#13;
&#13;
The couple had two sons together but the marriage did not last.&#13;
&#13;
When he died, Donald was a retired maintenance worker and lived in Woodstock.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>The glass plate negative of this image was stored in a box labeled "Dec 1945".</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Identified in 2012 by Danny Hottel.</text>
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                  <text>Morrison Studio Collection</text>
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                  <text>In 1899 Hugh Morrison Jr. opened a photograph studio on W. Court Street in Woodstock after several years of working in the area as a travelling photographer. &#13;
&#13;
Between that time, and the time his grandson James Morrison closed the studio in 1988, the Morrison family captured thousands of portraits, landscapes, and buildings on film and glass negatives. &#13;
&#13;
In 1999 the Shenandoah County Historical Society acquired over 31,000 of these negatives from the estate of local collector Charles D. Bauserman. Volunteers from the historical society worked over the next several decades to house, number, and scan each image. This effort resulted in over two tons of Morrison plates and negatives being processed and digitized. &#13;
&#13;
This collection contains those digitized versions of these photographs. &#13;
&#13;
Through a partnership between the historical society and the Shenandoah County Library's Truban Archives access to a growing number of these images is available to the public. Current projections indicate the full collection will be available for viewing sometime in 2028. &#13;
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                  <text>Hugh Morrison Collection, Shenandoah County Historical Society Inc. </text>
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                  <text>Shenandoah County Library</text>
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                  <text>A special thanks to Tracy McMahon for her dedicated work entering metadata for this collection. </text>
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                  <text>A special thank you to the Shenandoah County Historical Society for their efforts to number and scan each image. </text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Digital images: Creative Commons Attribution-Non Commercial (CC-BY-NC)&#13;
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                  <text>Copyright for these images is held by the Shenandoah County Historical Society. Contact the Shenandoah County Historical Society (www.https://www.shenandoahcountyhistoricalsociety.org/) for permission to utilize images commercially, for high resolution scans, or for prints. </text>
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              <text>Film Negative</text>
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            <name>Identifier</name>
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                <text>Shenandoah County Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="418296">
                <text>IN COPYRIGHT - NON-COMMERCIAL USE PERMITTED</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Donald H. Garman</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Garman, Donald Herbert (1917-1989)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photo of two separate portrait photographs of Donald Herbert Garman in a suit and tie.&#13;
&#13;
He married Louise Elaine (Lambert) Garman (1926-2024) in 1947.&#13;
&#13;
He is remembered as having been a businessman and owner of the Ben Franklin store in Woodstock.</text>
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            <name>Date</name>
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                <text>Undated</text>
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                <text>Identified in 2014 by Phyllis Wright.</text>
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                <text>Donald H. Garman appears in Morrison Studio Collection numbers 028991, 029806, 029826, 029908, 029450, and 029457.</text>
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